“I Still Need Him for Shooting!”

As previously noted this week, Microkhan recently re-watched the great Fitzcarraldo as part of his ongoing screenplay research. Of particular interest was the second half of the film, in which Klaus Kinski’s aspiring rubber baron encounters a tribe of Amazonian headhunters. Since Now the Hell Will Start contains a similar culture clash, we wanted to learn how the great Werner Herzog handled the mashup of languages, social mores, and religions.

The best scene involves Kinski and his crew anxiousl