Do people really go to galleries to answer stupid questions? Danielle Brathwaite-Shirley review

Serpentine North Gallery, London
The artist wants to tackle polarisation by strong-arming her audience into stilted debate in a show that seems to mistake social media for real life

This haunted fairground of an exhibition has its heart in the right place. But that is not enough. Called The Delusion, it is a woolly mess of platitudes and phoney dialogue. Danielle Brathwaite-Shirley is worried about the polarisation of online discourse and 21st-century politics. Aren’t we all? But the remedies offered are confused, and the attempt to create a free, open discussion is stymied by its coercive tactics.

You can’t say you weren’t warned. A huge text at the beginning explains the artist’s “Terms and Conditions”, including the instructions to “Join others, experience this together”, and to “talk, share, listen and question out loud”. Do I have to? Yes. As I look at an arcade-like machine in a cabinet behind a glass door, someone asks me firmly, “Did you open the door? Well, you should open it.” So I open it, answer some questions in the negative and am told off again, this time by the machine, for holding back.

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