Scene, Chapter, or Both? Understanding the Building Blocks of Storytelling


When you’re deep in the writing process or staring down the blank page trying to begin, it’s easy to get tangled in the structure of your story. Do I start a new chapter here? Should this be one long scene or two short ones? Do I need a new heading or just a line break?
If you’ve ever asked yourself these questions, you’re not alone. Scene, chapter, or both? It’s a craft question that trips up even experienced writers. And understanding how these building blocks work together can bring much-needed clarity to your storytelling.
Especially when you’re working toward a clear outline or revising a first draft, knowing the difference between a scene and a chapter and how to use each can help you create better flow, stronger pacing, and more engaging storytelling.
What’s the Difference Between a Scene and a Chapter?Let’s start simple: a scene is a unit of story. A chapter is a structural container.
A scene happens in a specific time and place, with a certain number of characters experiencing or initiating change. A chapter, on the other hand, is a choice you make about where and how to break your manuscript into readable sections.
Think of scenes as what happens, and chapters as how you serve it to the reader.
You can have one scene per chapter, multiple scenes within a chapter, or even a chapter that spans just one short moment. There’s no rulebook, only what serves the story.
Scene, Chapter, or Both? When to Use WhichHere are a few guiding questions to help you decide:
1. What is the convention of your genre?Genres like mystery and thriller often use scenes as chapters (short and fast paced). Literary fiction, on the other hand, usually has longer chapters that contain many scenes. Get familiar with the conventions of your genre.
2. Does the setting or time jump?A scene is a certain number of people, in a specific place, at a specific time. If we leap forward or switch locations, that’s a strong signal for a new scene (but not always a new chapter).
3. Does the pacing need a pause?Sometimes you might want to end a chapter to give the reader a moment to breathe. Other times, you’ll end with a cliffhanger. Chapter breaks are powerful tools for pacing, tone, and rhythm.
Why This Matters for Planning and RevisingWhether you’re just starting your novel or deep in a revision, understanding the difference between scene and chapter helps you:
Avoid filler paragraphs or aimless transitionsSharpen the focus of each sceneOrganize your manuscript into clear, navigable sectionsIt also helps you avoid one of the most common traps I see in early drafts: “connective tissue” writing – those in-between paragraphs where your character ties her shoes, walks down the hall, drinks her coffee, and arrives at the next meaningful moment. These transitional passages often slow the story without adding much. They can almost always be cut during the revision process.
When you write scene-by-scene first, and decide on chapter breaks later, you focus on what matters in the story. The rest can come (or go) in revision.
Where Scenes and Chapters Meet the OutlineSome writers outline in chapters. Others in scenes. Ideally, you want both: an outline with key plot points and an understanding of how each scene supports them. I like to think of chapters as folders while scenes are files in the folder (that’s how I organize my stories in Scrivener).
Even just a few days of focused planning can bring surprising clarity. You don’t need a rigid map, but a working framework – a container for your creativity that can make the writing process feel so much more manageable.
Want Support Mapping Out Your Story?If you’ve written a few scattered scenes (or just have an idea that won’t leave you alone), it might be time to bring some structure to your storytelling. Not a rigid blueprint—but a flexible outline that gets you excited to write.
This is exactly what I help writers do during From Ideas to Outline, a free 4-day challenge designed to help fiction writers clarify their story structure and organize their scenes into something they can actually build on.
Because once you understand how scenes and chapters function, both on the page and in your outline, you can write with more confidence, clarity, and momentum.