Not illegal, just skirting the truth.
Director: Lewis Allen

It is observed that Mansfield's character reflects that of Marilyn Monroe in 'Asphalt Jungle', another noir film. From the beginning, viewers are given an impression of how the law can be so flexible that it can be bent to suit the perspectives of the articulate speaker and a clever lawyer. An innocent man is sentenced to death, only for the actual perpetrator to make a dying declaration. His confession arrived too late, as it could not prevent the execution. Even though everything was done legally, the reality was that an innocent person was dead.
Then, the said lawyer, who had won the case as the prosecuting officer, after going on a drinking binge, defends another man in court illegally when someone boasts that he is a professional boxer and cannot be defeated. The lawyer punches him with rolled-up coins under his clenched hand to make his point.
Lawyers often manipulate the law to serve their own interests. When the mentioned lawyer transitions into private practice, an accountant arrives at his office with a stash of money. He had misappropriated funds from his firm. Here, we see how the clever lawyer shields his client from prosecution while protecting the accountant's employers from the embarrassment of losing the client's money. He does all this not to uphold justice but to prioritise his personal gains. Above all, he ensures he receives his professional fees first. Therefore, a lawyer works for his own benefit, bending the law and the truth to suit himself and his client, but certainly not in pursuit of universal justice.

So, when lawyers say that having adequate legal redress is a human right, what they really mean is that we should find a way to get you out. Nothing more, nothing less! Jayne Mansfield portrays a dumb blonde musician and mistress who gets tossed around like a ragdoll but rises to the occasion when her conscience pricks.


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