On the Line: CSE, Lockwood, Surveillance
▰ Whale of a Time:
“You ever hear about the loneliest whale in the world? Whales have songs, right? They sing to each other, and the songs are at, like, 160 MHz, something like that. I forget the specifics, but they’re all within that range, yet there’s this one whale who sings at, like, 50 MHz. No one knows why. But none of the other whales can hear him. So he just goes around singing, and the other whales don’t even know he’s there.”
That is Agent Copano (voice: Joseph Lee Anderson) in the animated series Common Side Effects (season 1, episode 7, “Blowfish,” written by Karey Dornetto), from Joseph Bennett, one of the two creators of the fantastic Scavengers Reign, and Steve Hely. This moment occurs right after Copano’s newly assigned partner turns off the car radio and says, “I don’t like music. It’s distracting.” Copano misses his previous partner, Agent Harrington, with whom he’d often listen to music while on stakeouts. Fortunately, unlike Scavengers Reign, Common Side Effects was renewed for a second season.
. . .
▰ Locked In:
“I am seeking ways to recognize that we are part of that world, not dominant and not separate. And sound is so powerful for that. It affects our blood pressure and muscle tension. You can’t control it.”
That is composer Annea Lockwood, profiled in The New York Times by Joshua Barone.
. . .
▰ Mic Drop:
“Some of the conversations inside the embassy were picked up by bugs. The various branches of British security, sometimes unaware of one another’s activities, devoted much effort and ingenuity to inserting tiny microphones through the 22-inch-thick wall of the embassy and the 15-inch wall of the building next door. This required drilling holes by hand through granite and dense Victorian brick to avoid making a sound likely to alert the gunmen to what was going on. Fake roadworks were staged outside, to hide the noise of the drill. The aim was to come out behind an electric socket, so that the microphone would be hidden behind a piece of plastic. In the event, the field telephone which had been given to the gunmen for communications with the police, and which contained a permanently active bug, appears to have been the most useful listening device.”
That is Patrick Cockburn in the London Review of Books summarizing information from Ben Macintyre’s book The Siege: The Remarkable Story of the Greatest SAS Hostage Drama.
