By Janice HardyShould you clue readers in or keep them guessing?
It’s one of those sneaky little questions that pops up mid-draft, usually right when you’ve got a big moment brewing. You’re plotting a reveal, or writing a high-stakes scene, and BAM!—you're second-guessing yourself. Should readers know what’s coming, or should they be as shocked as the protagonist? Will a slow-building dread serve you better, or is it time for a jaw-dropping twist?
It's time to choose between dramatic irony and surprise.
Both are powerful narrative tools that, when used well, can hook your reader, raise your tension, and add a satisfying emotional punch. But used poorly? You risk confusing your audience, frustrating their expectations, or even undercutting your story’s payoff.
Continue ReadingWritten by Janice Hardy. Fiction-University.com
Published on May 24, 2025 04:00