My Author Copies of I AM CUBA Just Arrived — And It's More Than Just a Book
Today, the box arrived. My author copies of I AM CUBA, my third book, are finally here.
For most writers, this is a celebratory moment — a day filled with excitement, the promise of book tours, interviews, sales, and exposure. And yes, I feel those things too. But more than anything, today is a day of reflection.
Writing this book wasn’t just a creative process; it was a spiritual and emotional one. Getting this story out of my head and onto the page was like birthing something that had been growing inside me for years. And now it’s real — bound in paper and ink, ready to be read, interpreted, and felt by others.
But why did I write I AM CUBA?
No one is clamoring to read a dry historical account of colonization, exploitation, and loss. But if you take a cue from the Anansi storytelling tradition — weaving truths inside of fables, love stories, thrillers — you can take readers on a journey where they’re learning without even realizing it. They’re experiencing history as we did — not as a list of dates and names, but as life: complex, painful, joyful, full of love and struggle.
That’s what I aim to do with every story I write. Because our history isn’t just in textbooks — it lives in our bones, our culture, our language, our resistance. It’s a choir of voices, all telling the same story: how we’ve turned misfortune into fortune, again and again.
Understanding our past helps shape our identity as a people. It forces us to examine who we are versus who the world expects us to be. We have lived with the stories others have told about us for too long. I choose to tell our own.
So, yes — I AM CUBA is here. But more importantly, so is our story. Our voice. Our truth.
For most writers, this is a celebratory moment — a day filled with excitement, the promise of book tours, interviews, sales, and exposure. And yes, I feel those things too. But more than anything, today is a day of reflection.
Writing this book wasn’t just a creative process; it was a spiritual and emotional one. Getting this story out of my head and onto the page was like birthing something that had been growing inside me for years. And now it’s real — bound in paper and ink, ready to be read, interpreted, and felt by others.
But why did I write I AM CUBA?
No one is clamoring to read a dry historical account of colonization, exploitation, and loss. But if you take a cue from the Anansi storytelling tradition — weaving truths inside of fables, love stories, thrillers — you can take readers on a journey where they’re learning without even realizing it. They’re experiencing history as we did — not as a list of dates and names, but as life: complex, painful, joyful, full of love and struggle.
That’s what I aim to do with every story I write. Because our history isn’t just in textbooks — it lives in our bones, our culture, our language, our resistance. It’s a choir of voices, all telling the same story: how we’ve turned misfortune into fortune, again and again.
Understanding our past helps shape our identity as a people. It forces us to examine who we are versus who the world expects us to be. We have lived with the stories others have told about us for too long. I choose to tell our own.
So, yes — I AM CUBA is here. But more importantly, so is our story. Our voice. Our truth.
Published on April 25, 2025 09:14
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"Beyond Paradise: The Untold Stories of Caribbean Literary Voices
My name is Lynda R. Edwards, and I try to explore the rich tapestry of Caribbean literature that often remains overshadowed by tourist brochures and postcard imagery.
This blog delves into how writers My name is Lynda R. Edwards, and I try to explore the rich tapestry of Caribbean literature that often remains overshadowed by tourist brochures and postcard imagery.
This blog delves into how writers from Jamaica, Trinidad and Tobago, Haiti, Cuba, and other island nations have crafted powerful narratives that challenge colonial legacies, celebrate cultural resilience, and reimagine Caribbean identity through distinctive storytelling techniques and linguistic innovation.
From the groundbreaking work of Jean Rhys and Derek Walcott to emerging voices reshaping the literary landscape, discover how these writers navigate themes of displacement, belonging, and the complex histories that shape their homelands.
Please join me as I highlight how Caribbean literature offers not just beautiful prose but essential perspectives on our interconnected world and the enduring power of storytelling as resistance. ...more
This blog delves into how writers My name is Lynda R. Edwards, and I try to explore the rich tapestry of Caribbean literature that often remains overshadowed by tourist brochures and postcard imagery.
This blog delves into how writers from Jamaica, Trinidad and Tobago, Haiti, Cuba, and other island nations have crafted powerful narratives that challenge colonial legacies, celebrate cultural resilience, and reimagine Caribbean identity through distinctive storytelling techniques and linguistic innovation.
From the groundbreaking work of Jean Rhys and Derek Walcott to emerging voices reshaping the literary landscape, discover how these writers navigate themes of displacement, belonging, and the complex histories that shape their homelands.
Please join me as I highlight how Caribbean literature offers not just beautiful prose but essential perspectives on our interconnected world and the enduring power of storytelling as resistance. ...more
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