Misled by a label at an exhibition in Hull
THE FERENS ART Gallery in the centre of Hull contains a superb collection of well-displayed artworks dating from the fourteenth century until today. While we were visiting it, we viewed a temporary exhibition of works that depict sirens, the mythological females that lure sailors to their deaths. One of the exhibits, on loan from the British Museum, is a fifth century BC Greek vase, which bears one of the earliest known depictions of the Sirens and Ulysses. Magnificent as this is, another exhibit also intrigued me.
It is a painting by Annie Swynnerton (1844-1933), called “Oceanid” and created in 1904. Next to the painting, the museum has installed an information panel that includes the following:
“The first woman to join the Royal Academy since it was founded in 1768, Swynnerton forced open the door of the artworld for many to follow.”
Well, that surprised me because I knew that the female painter Angelica Kauffman (1747-1807) had been involved with London’s Royal Academy of Arts (‘RA’). She and another woman, the artist Mary Moser (1744-1809) were founding Members of the RA. However, despite these two women, the RA remained a strictly male preserve for a long time. So, how could the Ferens Gallery have justified what was written on the label next to Swynnerton’s painting? The explanation can be found on a page of the RA’s website (www.royalacademy.org.uk/article/magazine-ra250-female-invasion-women-at-the-ra):
“Finally, in 1922, the painter Annie Swynnerton became the first woman Associate of the RA (now a defunct category of membership). This historic breakthrough meant little in practice; Swynnerton was 78 years old by this point and never became a full RA. She was followed by Laura Knight who was elected as an Academician in 1936. Knight acknowledged the importance of her predecessor saying, ‘Any woman reaching the heights in the fine arts had been almost unknown until Mrs Swynnerton came and broke down the barriers of prejudice’.”
Although at first sight, the exhibition label seemed to suggest that before Swynnerton, the RA had been closed to women, it is not completely inaccurate, but I felt that its wording could easily be misleading.
