I'm sitting here working on pieces on New Moon, The Lovely Bones, and Push's transition from page to screen, as well as dissecting the particulars of Elizabeth Gilbert's new memoir Committed, and I was suddenly overcome by a semi-procrastinatory but genuine RUSH of gratefulness to you all. I don't know that in the years of Fine Lines or since I've been able to adequately thank you for your wonderful comments, emails and assorted contributions to the uncovering of this miraculous period of...
Published on December 20, 2009 11:19