Chatting with the Pros: Multi-Genre Author, Tom Benson

I met Tom Benson through an author’s group on Facebook, and he has since become a frequent visitor here, on Writing to be Read. Come to find out, Tom has been at this writing thing for almost a decade, and has several books out there in at least three different genres.

About Tom Benson

In 1969 at the age of 17, Tom left his native Glasgow to join the British Army. Tom’s military career spanned from 1969 to 1992. He followed this with a career in Retail Management, in which he was employed from 1992 to 2012.

Tom has been writing since 2007.

He has published novels, anthologies of short stories, a five-part novel, a variety of erotica books, and a series of genre-based poetry.

Tom is presently working on more novels.

My Interview with Tom Benson

Kaye: Your Light at the End series is categorized in the metaphysical science fiction sub-genre category. I’d never heard of that particular sub-genre. Can you talk a little about what attributes define metaphysical science fiction?

Tom: In simple terms, it’s a branch of philosophy that deals with life beyond what we know or see (usually, but not exclusively, the supernatural). This broad label includes existence, space, cause and effect, and more. Although there would be nothing supernatural in my story, because of the change of circumstances I intended for my characters, I felt the sub-genre was a good fit.

Kaye: The Light at The End series might also be categorized as post-apocalyptic science fiction. Right? Why don’t you tell us a little about that series?

Tom: Apart from short stories, I’d never written in this genre, until I was inspired when visiting Cruachan Power Station. Cruachan is a functional hydroelectric installation operating from within a mountain in Scotland. My story sees a coachload of tourists taking shelter from the start of a nuclear war inside a railway tunnel within a mountain. They’re compelled to investigate the tunnel when the entrance collapses behind them. Without giving spoilers, as they learn about their new environment, they also learn to depend on each other for survival. The group begins a new life inside the mountain. I intended it to be one book, but it grew as I developed the story, and it’s become a popular trilogy with a spinoff, Sylvia.

Kaye: Ten Days in Panama is classified on Amazon as both thriller and romance genres. I think it is brilliant that you combined the two genres and then used both in your keyword selections to broaden your reading audience instead of focusing on one, to the exclusion of the other as many authors choose to do. Of course, the story came first, and you just capitalized on what you had. Tell us a little about this story, and how you ended up combining these two genres?

Tom: I opened with a British investigative reporter keen to follow up on a big story, and he needed the help of an expert in marine biology. He chose a female scientist in Panama, and they arranged to meet there. I wanted the thrust of the story to be a thriller, whereby the reporter’s life was under threat, but I saw the opportunity for a ‘will they, won’t they?’ scenario between the two main characters. I’m a Scotsman who lives in England, and I’ve never been to Panama. However, my friend Carmen Lopez, (a fellow author) lives in Panama, and she is a microbiologist. She was incredibly useful in helping me with various aspects of research. Carmen was also a wonderful sounding board as I developed the relationship between the main characters.

Kaye: You also write military stories and poetry. Would I be correct in assuming these come from your own personal experience serving in the military?

Tom: Yes, some of my military poetry is based on personal experience, and some is fiction. My military short stories, too, include factual tales, but others are fictional. The series, A Life of Choice, is my military memoir detailing my 23-year career in the British Army. The digital edition is a series of five eBooks.

Kaye: Many of your protagonists are female. Why have you chosen females to take the lead in your stories?

Tom: In the 1960s, as a young teen, I was a fan of The Man from U.N.C.L.E.. Apart from the TV series, at around that time, I began to read everything I could about clandestine operations and international espionage. When The Girl from U.N.C.L.E. screened for one season, I was fascinated to see April Dancer (Stefanie Powers) demonstrating that a woman could be as capable as a man in the covert role. I bought all the ‘U.N.C.L.E.’ books, and the idea of a modern heroine remained a favourite in my mind. It should be remembered that many of the Special Operations Executive (SOE) operatives during WWII were courageous young women. In the late 90s, I saw The Long Kiss Goodnight (starring Geena Davis), which remains one of my favourite films. There are now many films and series in which the lead is a woman, whether an assassin, a vigilante, a resistance fighter or working with law enforcement. I believe it’s important to remember that it’s not only men who can demonstrate courage or participate in clandestine missions.

Kaye: What do you do to get into the female perspective for your characters?

Tom: I found it difficult at first, but I practised with short stories and acquired plenty of feedback from female readers. As I do with all of my stories, I build a character profile so that by the time the character hits the page, I know their full description, likes, dislikes, strengths, weaknesses, wardrobe (including disguises), favourite weapons, vehicles and, importantly, their past and how they became who they are. I give a female lead all the characteristics I admire in a woman and reinforce that with a no-nonsense attitude and a suitable background. I strive not to let a female character become a sex object, although occasionally, it helps with certain situations in which she might gain the upper hand.

Kaye: The A Taste of Honey series is your most recent. It’s a crime thriller, but it’s more about vigilante justice. Would you like to tell us about that series?

My aim with the first book was twofold: to create a hard-hitting vigilante thriller using a female lead and to set it in the US for various reasons. The premise is that ‘Honey’ is an NYPD detective who is awoken by a call from her sister’s cellphone, but it isn’t her sister’s voice she hears. The detective drives across the country to Greensburg, Indiana. In the basement of the family home, she finds a scene of abuse and torture. She also finds clues as to who was responsible. Honey crosses the line and sets out on a mission of vengeance, which takes her to different states. The sequel, Another Taste of Honey, sees the ex-detective fly to Europe to search for two men who evaded her in the US. While in Europe, several others make the mistake of tangling with Honey—a woman on a mission.

Kaye: What is the best piece of writing advice you were ever given?

Tom: In my early efforts writing short stories, a fellow author told me feedback wasn’t always positive, so I ought to ‘get used to taking the knocks’. I learned to differentiate between criticism for the sake of it and constructive criticism. When mentoring a novice writer, I expand on the advice I was given. I suggest to any new scribe that ‘Acting on genuine feedback can have a positive effect on your writing.’ An important piece of advice is given in Stephen King’s excellent book, On Writing: ‘If you don’t have time to read, you don’t have time to write.’

Kaye: As a multi-genre author, what do you find is most difficult about marketing your books?

The short answer—justifying the cost of advertising. The long answer—I quickly learned that getting a foothold in the market was difficult, with only one or two titles published. I paid for my first author’s website, my early covers, and advertising. Making money has never been my incentive when writing, but I had a major rethink when considering how much I paid out with little return. I recognised that my main marketing tool didn’t have to cost me anything but time and effort. After the first couple of years, with more titles published, I concentrated on strengthening my brand—which I believe is an author’s main marketing tool. I created a new website, practised and designed new book covers, and stopped paying for publicity. Since then, my only advertising has been on social media; it’s free, and with many more books published in different genres, I’m only dependent on reviews and recommendations. I created laminated bookmarks myself, which I include when sending a paperback edition to a charity. I have also paid for business cards to be made so they can be left in restaurants, cafes, and campsites here in the UK or in Europe when I visit.

Kaye: Where can readers learn more about you and your books?

Tom: I was a poet and regular blogger in my early creative writing days, and though my poetry and blogging have eased off, I maintain a writing blog at www.tombensoncreative.com. I also have an author website I created myself at www.tombensonauthor.com

Thank you, Kaye, for the opportunity to reach a wider audience regarding my writing, and I hope your readers enjoy this article.

About the A Taste of Honey Series

Purchase Link: https://www.amazon.com/dp/B0DQ9GSW4S?binding=kindle_edition&ref_=ast_author_bsi

My Review of the A Taste of Honey Series

I received digital copies of A Taste of Honey and Another Taste of Honey, by Tom Benson, in exchange for an honest review. All opinions stated here are my own.

This series features a strong female protagonist, which is always a plus for me, and Benson does a nice job of making her believable, giving her an appropriate backstory as a police operative gone rouge, and plenty of friends to help her along the way. Honey Woods is on the hunt for the men who tortured and killed her younger sister in her previous life as Police Detective Kimberly Forest. She is an expert marksman, a master of disguises and seasoned law operative, and she still takes time for a morning run each day to stay in shape for the seemingly impossible tasks which lie ahead.

When Kimberly finds her sister’s tortured body in a basement dungeon, she vows to stop at nothing to get justice for what they’ve done to her sister and other young girls like her. She leaves her old life behind, acquiring a new identity as Honey, and everything begins to fall conveniently into place.

Her search for justice leads her to a ring of men, pillars of the community, who have been kidnapping, abusing and murdering young girls for a very long time, as well as other deserving recipients of her unique style of justice in A Taste of Honey. In Another Taste of Honey, our heroine travels to Europe in pursuit of the remaining two members of the ring still needing to be held accountable. When you’re on the receiving end of Honey’s justice, it may not be so sweet.

I strongly suggest reading these books in sequence, as I suspect I’d have a more difficult time relating with the character had I not already known her motivations. If the reader doesn’t understand this character, they might mistake her for a villain as she humiliates and emaciates her opponents.

This series provides an entertaining read that keeps readers guessing as to what devious, but fitting treatment Honey will serve to her next target. I give the A Taste of Honey series four quills.

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This segment of “Chatting with the Pros” with Kaye Lynne Booth is sponsored by The Women in the West Adventure Series and WordCrafter Press.

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