Comic Books versus Text-Only Books for Language Learning
Recently I have been reading a few comics in French, mainly by French-Canadian authors, or translated by them. The target audience for most of them is children and young adults. It had me thinking again about how best to grade comics in terms of difficulty.
My experience in attempting to read various Japanese books for children or learners showed me that it is possible to read a picture book that is really just an illustrated vocabulary without knowing any of the words beforehand. At the other extreme, it is theoretically possible to read everything in a parallel text, since the translation is right there to refer to, just very slow if every sentence needs to be analysed. That is known as “intensive reading”, which has been shown to be less useful than “extensive reading” for language acquisition. Complete glosses similarly make it possible to read a text without prior knowledge of the language, albeit with lots of interruptions to look things up.
Translations and glosses aside, a comic book will be easier than its text presented without illustration, since the illustrations provide clues to what is happening. It is also easier than text describing the same scenes provided by illustrations – a point that was made elsewhere in favour of learning language from comic books. In other words, “a picture paints a thousand words”.
In general, there is more dialogue and less descriptive text in comics, compared to novels, so the sentences are shorter on average. (This also applies to scripts of plays.) In addition, the pictures give clues as to what the text is about. A further benefit is that it often provides more examples of speech than would be found in a novel – or at least, as a proportion of the text read. This can be useful for absorbing speech patterns, particularly for people who are not exposed to much speech directly.
While the shorter average sentence length means that comic book text will generally be scored as easier than text from novels by readability measures, I think that a measure of difficulty of a comic may need to consider whether concrete nouns are illustrated when used. For example, a picture containing a wild boar with the text clearly indicating that it is “un sanglier” could be almost as easy as reading a French-English cognate, such as “village”. Or perhaps it is roughly equivalent to having a gloss entry, albeit introduced in the story instead of in a footnote.
Either way, comic books should be easier to read than books that have no illustrations. See my list of easy comic books in French for some that are a good starting point for beginners.
Alexandra Louise Uitdenbogerd's Blog
