Back from L.A., I'm writing now about John Adams's The Gospel According to the Other Mary, a huge new Passion oratorio that contains some of the strongest — and also some of the strangest — music of the composer's career. The wavy line in the score above is for the Golgotha chorus, "yelling, mocking, abusive." More in The New Yorker a week from Monday.
Published on June 03, 2012 05:04