By Olga Katsovskiy
I recently walked through a beautiful Georgia O’Keeffe exhibit at the Boston Museum of Fine Arts. One of the galleries featured a recreation of her art studio: jars of paint and card swatches scattered on a low-rise natural wood table, tiny sculptures and bones decorated the top of a textured cardboard mantelpiece designed to mimic stone. An interview played in a loop on a vintage Da-Lite projector screen, O’Keeffe squinting in the glare of the beige mountains of New Me...
Published on November 15, 2024 04:00