Enemy of the State

This might be the most perfect alignment of a script and Tony Scott’s filming style yet in his career. The script itself isn’t perfect, but the action-thriller elements present mesh very well with Tony Scott’s hyperactive visual stylings (where Tony Scott ends and Michael Bay begins at this point in the 90s feels like an academic question to a certain degree) work quite well together. A story of surveillance, corruption, and the proper role of governmental powers balanced between different n...