The Hunger

Tony Scott emerges from his commercial period with his first feature film in over a decade, a vampire tale in two parts that’s all style and almost no substance. I say almost no substance because there are a couple of small and interesting little twists on vampire lore going on here that do actually feed the overall film, but they’re never explored in great detail and ultimately fall to the side in favor of blue-steel visuals of people inside with glasses while doves fly around. It’s far fro...