I recently saw the film, Mommy by French-Canadian filmmaker Xavier Dolan, who used various aspect ratios as subtle visual/narrative device. Most of the film is shot in a 1:1 square aspect ratio, apparently as a metaphor for the narrowed horizons of their lives. In other more jubilant moments it switches to widescreen, and adjusts accordingly to the shifting tensions. The film is terrible
Published on August 16, 2024 04:22