C.A.T. Squad

I strongly suspect that the only reason that this TV film got made for NBC was because William Friedkin had a good time while working with Gerald Petievich on To Live and Die in L.A., Petievich said he had more stories that he could turn into movies, and Friedkin fronted for him to studios and networks until they got a deal. This dull, plodding thriller feels like all of the worst impulses from Friedkin’s previous theatrical film without any effort to imbue it with an actual character journe...