not a libretto, nor an aria
every word, every sound,
every stage direction
first written in simple English
then transformed into
eighteenth century Italian
shapes and sounds
with intricate curlicues
long pauses and high escapes
into words sung as to be untranslatable
how the knife enters the heart
and love like blood drains
on to the stage with the mistaken
murder, the misdirected rage ,
the moment of self-loss,
and when I am done,
I will sing all the parts
and plunge the knife
into my heart for the finale.
Published on May 02, 2024 05:09