Spring haiku experiment

I’ve been in a bit of a haiku slump this past year, but lately I’ve felt reinspired –thanks to the onset of spring and to a reaffirming talk by haiku poet Michael Dylan Welch at VanDusen Garden’s Sakura Days Fair.

One of the things Michael mentioned in his talk is the idea that a good haiku should not tell the reader what to think, but instead, “trigger” the reader’s emotional and imaginative response, or open a door for the reader to step through into the experience (kind of like the haiku is a partnership between writer and reader –part is supplied by the writer and the rest by the reader).

Below are a few of my new haiku (along with some related photos that I think are made sort of haiku-like through cropping). I don’t know if any of these poems achieve what Michael describes, but I thought I’d share them anyway. One of the things I try to do with my haiku is to simply be honest to the moment, and so if a kireji (“cutting word” or contrast) feels right, I include it. If the haiku doesn’t want to do anything but revel in the sensual experience of the moment, I let it. I’m trying to move away from the 5-7-5 syllable habit to sparer lines, but sometimes I have success, sometimes I don’t. If the poems resonate in any way for anyone else out there, I’d be interested to know.

pink dogwood blossoms

gazing at the moon

a dream slips away

now the lilacs

third course of spring

feast of scents

blue sky

jumping on trampoline

blue sky