Pigsty

I don’t think this quite works. I think something has broken in Pasolini’s narrative brain at this point where his hatred of modernity, Italy, culture (past, present, and what he saw as the future), the lack of Marxist revolution, and even the New Left was simply the point of his cinematic undertakings at this point. We’re left with symbols, implied meanings, and archetypes. I’m just glad he’s really good at making movies, or this would have been a complete disaster instead of something of a...