Crash

I have a serious issue with how most ensemble films come together. Most of them take an ensemble approach to go in a variety of different directions that never really connect in anything more than the most basic of mechanical manners, making the films feel like they go off in random directions without any real central point (this is the James Gunn approach). That’s not what Paul Haggis does in Crash, his Best Picture winning film. Everything is interconnected with the same central ideas of r...