There’s a moment in this spy comedy take on Romancing The Stone where the central author struggles to write dialogue for her character. She must find a solid, romantic punchline for a sexual moment but can’t muster a decent line for her spy character. She admits she has nothing, and the words fade away. Yet even in this moment of jumping between the author’s reality and fantasy, there’s not even a decent punchline for this familiar bit about writer’s block.
Argylle is a film that feels like ...
Published on February 01, 2024 09:06