From the Ganges to the shore and then back into the river
THE CERAMIC ARTIST, our friend Falguni Bhatt, works in Calcutta. While visiting her studio, she suggested that we visit Kumartuli in north Calcutta. Close to the Hooghly River – part of the Ganges – this district of the city is a warren of narrow lanes lined with the workshops of craftsmen who make Hindu idols out of the grey clay collected from the shores of the Ganges. We went there and were amazed by the huge amount of creative activity that confronted us.
Mounds of damp dark grey clay are carried on the heads of porters to the workshops. Others carry bundles of straw to the artisans. The straw is used to make armatures – these are shaped roughly like the finished idols. A completed armature, which can sometimes include supporting metal rods, looks sufficiently like the idol being created.
Clay is applied to the straw armatures. Gradually, the straw is hidden by the clay. The surface of the clay is either smoothed to resemble fine skin and/or inscribed to create bodily details – for example finger nails and the creases on the palms of hands or facial details or clothing and footwear. Creatures and objects associated with the depicted deity – for example, veenas and snakes – are created in the same way, starting with straw armatures.
The completed idols, which are frequently very detailed and of complex shapes, are left to dry and harden. The clay idols are not fired in a kiln.

Later, the idols are painted according to tradition, and then decorated with elaborate costumes and jewellery. The jewellery is made from hand cut cardboard often with sequins and mirrors applied. A small section of Kumartuli is dedicated to workshops creating these intricate, attractive ornaments.
Each of the clay idols is an exquisite work of art. Each of them displays evidence of the highly skilled workmanship that created them. They rival the superb ancient Hindu stone carvings that can be found carefully displayed and conserved in museums. Yet, each of these clay masterpieces is destined to have but a very short life.
The idols are created in Kumartuli for use in important Hindu festivals such as Durga Puja, Kali Puja, and Saraswati Puja. We saw idols being prepared for the last mentioned. Most of the idols being created include the stringed musical instrument played by Saraswati – the veena. Her puja is to be held next in February 2024.
During these ceremonies, the carefully crafted idols – fully painted and decorated with elaborate hand made ornaments – are dropped into the Ganges. When I expressed my surprise at hearing about this, Falguni said something like:
“Life is transient.”