How to Write Through Second Book Syndrome

Second Book Syndrome is a unique experience that can affect any writer. Today, author Uju Asika talks about what she learned while tackling Second Book Syndrome and gives advice on navigating it. 

There’s something immensely powerful about completing your first book. For a brief moment, you feel invincible. After all, pretty much everyone you meet thinks they have a book in them, but not many people actually sit down to write it.

I wrote my first book, Bringing Up Race, in the midst of a global pandemic. Writing my next book, a picture book for younger readers, was a much less stressful experience. So it was actually with my third book, aimed at grownups again, that Second Book Syndrome kicked in.

You’ve probably heard of sophomore album syndrome (see Lauryn Hill, The Stone Roses) aka the sophomore slump that, apparently, can happen to anyone from athletes to second year college students.

Second Book Syndrome isn’t talked about as much and yet it affects almost every author on some level. Whether you’re a million-copy seller, a mid-list author or a relative newbie, you grapple with the same insecurities and nightmare scenarios. How do I write something as good as or better than my last book? If my first book did well, was it just a fluke? If my first book sold poorly, is this book my last shot? Will it meet my readers’ expectations or am I going to get troll-bombed on Goodreads? Am I establishing an author brand or have I niched myself into a corner? Can I experiment with voice or will I get laughed at by critics? Do I even have it in me to write a WHOLE OTHER BOOK?

Now that you’ve finished at least one book, you might feel like you’ve got this shit nailed. But the tricky thing about writing is that every time you open a blank page, you are starting from scratch. And every time you face a blank page, you are forced to meet yourself there, again and again. No matter whether you’re writing fiction or nonfiction. There’s no escaping yourself and that’s what makes it so hard, so vulnerable and potentially, so transformative.

My latest book, Raising Boys Who Do Better: A Hopeful Guide for a New Generation, came out last month. Foolishly, I had it in the back of my mind that writing this book would be a relative breeze. In some ways, it was harder. I had so much Resistance — the negative force that pushes back when you try to do something that matters, as Steve Pressfield talks about in The War of Art.

I also had to deal with the impostor syndrome (a close cousin of Second Book Syndrome) that whispered in my ear that I didn’t have another book in me. That I had used up all my smart ideas and pretty words. That I should stick to short form content and leave the real writing to the professionals.

So how did I get over this? What can you do when you’re in the throes of Second Book Syndrome and feeling like you’ll never write another sentence again? Here are a few things that helped me:

Make a Plan

If you identify as a ‘pantser’ rather than a ‘plotter’, you’re probably shaking your head at this. But it doesn’t have to be a full proposal or outline. Your plan can be as simple as a journal entry, a short mission statement, a sentence describing your premise, or a note to self about what you’d like your reader to learn, feel and experience. Making a plan and reviewing it from time to time can help keep your project alive when you’re suffering from self-doubt, comparisonitis and other symptoms of Second Book Syndrome.

Give Yourself Permission

The only way to release yourself from the pressure of writing your next book is to liberate yourself. Give yourself permission to write badly. I mean, really really badly. Permission to write something that sounds nothing like what you wrote before. Permission to play, to dream, to procrastinate. Permission to research until your head is bursting. For every project, I always keep a notebook so I can write by hand and make a mess and scribble pages of absolute drivel. I can spend hours writing around the edges of what I’m actually trying to explore. I encourage you to start every new project by writing yourself a permission slip. When you give yourself permission, the words might stick and splutter for a while but eventually, they flow. After that, the magic is in the edit.

Drown Out the Noise

We’re surrounded by noise all day, from social media traffic to our own mental chatter to those Amazon reviews (gulp). It’s hugely distracting and can be a drain on your creativity and confidence. Look for ways to drown this out, whether that’s through meditation, writing retreats, long nature walks or journalling. My simplest trick is to put on some noise-cancelling headphones and turn the music up. This might sound counterintuitive but listening to music puts me in a headspace for writing without any filters. Also, as a mother who writes around her family life (the kitchen table is my office), I’ve used headphones for years to signal that I’m at work and to keep the cacophony of my kids at bay.

Get Drunk

When you have another book to write, it’s easy to feel lost at the beginning. What to write and how to say it? When this happens, I immerse myself in storytelling. The poet Charles Baudelaire famously said one should ‘Always Be Drunk’ and it’s a quote that I live by. I don’t mean Hemingway-style binges, I mean being drunk on stories. I consume books, podcasts, films, TV shows, songs, art shows, conversations, eavesdropping, everyday life. I feed my habit and my habit feeds my writing.

Focus on What You Can Control

Creativity is mostly trial and error. Art is subjective and you can’t control how your work will be received by an audience or by critics. Often, success hinges on an indefinable mix of luck, talent, hard work, timing, money, network, reputation and… did I mention luck? Through all this, the only thing you can control is how you show up. I do my best to show up for my readers in a way that’s engaging, impactful and entertaining — both on the page and in real life. Other than that, the rest is not up to me. All I can do is keep showing up.

Track Changes

When you’re editing a piece of work, it can be helpful to track changes on a document. But this isn’t what I’m talking about here. What I mean is keeping track of the changes that happen because you had the courage to put your work into the world. I screenshot comments from readers on social media who tell me my books have changed the way they think about race and identity. I save a file of testimonials from parents who say I’ve shaped how they talk to their children about these tricky topics. I also keep notes on what I’ve learned and how I’ve grown while writing a book. All this is a reminder that so much of writing (and reading) isn’t just about the product or the story but about who we are becoming through the process.

Lean On Your People

Probably the most useful thing you can do as a writer is to find your people and lean on them. Obviously your closest friend/partner/family member who enjoys your writing or offers great advice can be invaluable. But as a writer, your people are other writers and it’s essential that you seek them out. Follow #writercommunity hashtags on social media, join a writers’ group or membership, befriend other newbie authors when your book comes out. You need to be in community with other writers who get it. Especially when Third Book Syndrome comes knocking…

NaNoWriMo Writers Board member Uju Asika is a multi-award nominated blogger, former journalist and TV screenwriter. She is the author of Bringing Up Race: How to Raise a Kind Child in a Prejudiced World and the picture book A World for Me and You (Where Everyone Is Welcome). Her new book Raising Boys Who Do Better: A Hopeful Guide for a New Generation came out on June 1. You can order the book for free worldwide delivery on Wordery: https://wordery.com/raising-boys-who-do-better-uju-asika-9780241608418

Uju is launching a creative writing service for developing and aspiring writers, learn more here !