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by Helen Currie Foster
Aren’t there two keys to your enjoyment of a mystery? (1) Whether you like the protagonist(s), and (2) whether you’re drawn to the setting?
If I don’t find myself caring pretty quickly about the protagonist (or protagonists—see Mick Herron’s Slough House series, with its delightful collection of failed spies, or Richard Osman’s Thursday Murder Club series with its…
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