Do you move your ears when you read?

No, of course you don't. But what I'm getting at, albeit circuitously, is that I always thought of reading as an activity one performs with one's eyes. I've since learned that doesn't have to be the case. Plenty of us get as much or more pleasure out of a book by reading it with our ears.

I, alas, am not geared that way. I absorb verbal information far more effectively through my eyes than my ears. When I try to listen to an audiobook, my attention flags and my mind wanders. If I'm driving, it's a distraction. If I'm safe at home, it's a nuisance.

And yet I'm a huge fan of audiobooks as a medium. I know people who never found reading enjoyable until they discovered audio; it opened the entire world of fiction to them. And I know others, lifelong readers, who've found that listening to the narration of a fine vocal artist adds a whole new dimension to a novel.

So I'm all for it. I want my books to be read. I don't care if they reach you through your eyes or your ears or the soles of your feet. If they're a source of pleasure for you, I'm delighted.

Over the years I've narrated a number of my own books. I welcomed the opportunity, and enjoyed the work, but much of it was back in the bad old days of abridged audio. That's what my publishers—Penguin, Harper Audio—wanted to publish. I always felt abridgements were an abomination, and there came a time when I insisted on a clause in my book contracts enjoining the publisher from bringing out or licensing an abridgement.

It hasn't taken long, I'm happy to say, for unabridged audiobooks to become the industry's standard. A remarkable number of my books have been given voice by some of the most accomplished narrators in the game, and three of the medium's leading audio publishers—Recorded Books, AudioGo, and Dreamscape—have kept things moving. If you want to own a physical copy of an audiobook, in cassette or CD form, you can check the publishers' websites, where audiobook rental is often an alternative to outright purchase.

Increasingly, however, the audiobook market seems to be moving to downloads; rather than pay for a physical book, you can simply download an MP3 file for play on the device of your choice. Audible is the leader in this area, and the links that follow are all to the Audible website, where all of the following titles are presently available. They have various special promotions, including this one, which gives you a free audiobook and a free trial membership.

Here are the Audible links. The 10-book Bernie Rhodenbarr series is complete, but you'll notice several gaps in the Matthew Scudder saga, and both Keller and Chip Harrison are missing a book each. Tell you what—if you make it all the way to the end of the list, I'll tell you the story about the recording session that soured me on abridged audio forever.

(Oh, sure, you could scroll down and skip the list and go straight to the Extremely Amusing Anecdote. But when you look in the mirror, is that the kind of person you want looking back at you? The kind that would skip the list? No, I didn't think so...)

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Published on April 27, 2012 17:41
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message 1: by Arthur (new)

Arthur Camara I listened to most of the Bernie Rhodenbar mysteries on audio cassette and I love the actor who reads those novels of yours. When I think of Bernie and Ray Kirshman, I hear that voice. But I like to read your Keller books and the Scudded mysteries myself.

Audiobooks in a series can be very idiosyncratic. Like with Robert B. Parker's Spenser books, Joe Mantegna is the voice of Spenser to me, and every time I see him on the tv show Criminal Minds I think "that's the voice of Spenser"--Though my other half reminds me that Mantegna is not the face of Spenser.


message 2: by Arthur (new)

Arthur Camara I know the movie actor Robert Forrester read the audiobook for your Matt Scudder novel Hope to Die and I loved the job he did. He seems to only dip his toes in the audiobook waters on occasion, reading a Robert B. Parker Jesse Stone book and doing Elmore Leonard's Mr. Paradise. I guess the work isn't for everyone, especially for those who prefer the camera, but I thought he really brought hardboiled crime to life.


message 3: by Lawrence (new)

Lawrence Block Robert Forster's narration of Hit Man is superb; he liked the book so much he called me up out of the blue to say so. Some years later I met—he's friends with an LA friend of mine. Very nice fellow, and great performance in The Descendants.


message 4: by Andy (new)

Andy Nieradko Audiobooks can be lifesavers on long drives. Last weekend I drove all night, while the kids slept. I listened to Such Men Are Dangerous from South Carolina to Pennsylvania.


message 5: by Lawrence (new)

Lawrence Block Andy, that would be the AudioGo edition, narrated by Fred Sullivan. Glad to hear it shortened the trip for you!


message 6: by Arthur (new)

Arthur Camara Mr. Block, you are right. Robert Forster did Everybody Dies not Hope to Die (George Guidall). I really enjoyed both books but struggle to keep the titles straight, even though they are both very different in plot and outcome.

And then you read the follow up to Hope to Die, All the Flowers Are Dying. Does this mean you now belong to the voice actors union? And did you experience the book differently as an author than you did as a voice actor?


message 7: by Lawrence (new)

Lawrence Block Arthur wrote: "...And then you read the follow up to Hope to Die, All the Flowers Are Dying. Does this mean you now belong to the voice actors union? And did you experience the book differently as an author than you did as a voice actor?"

No, yu don't have to join AFTRA to narrate your own work. And I've done occasional audiobook narration for many years. Most of those were abridged, as I mentioned, but in May AudioGo will bring out my unabridged audio of Eight Million Ways to Die, which I recorded 15+ years ago. And that's me talking on the Recorded Books edition of Telling Lies for Fun & Profit.

Did I experience the book differently? Well, one is creating, the other is performing, so different muscles are employed. I can tell you that narrating an audiobook is harder than it looks. (But then so is writing it.)


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