Excalibur: A Second Look

It’s been obvious that John Boorman had his own little cinematic world. It was less distinct visually than someone like Fellini, especially across the films, but he was operating in a distinctly unique thematic space. In Excalibur, Boorman found the most distinct visual presentation of his style, embracing Romanticism and operatic theatrics to bring the tale of King Arthur to life.

Watching this in context of his filmography instead of just as a one off, I’m stuck trying to fit it in, esp...