In the Silence
What happens in the silence?
Back in my acting school days, we were often encouraged to dwell in the small silences between sentences—to not feel compelled to speak straight through, but to allow the character to think, to consider, to ruminate, if you will. And then going even further back, I remember a one-act play, actually a “sketch”, by the avant-garde playwright, Harold Pinter, in which silences were a key aspect. Of course, the two characters were both in midlife and I was in my twenties; what did I know of broken marriages and broken lives where silence reigned? That would come much later.
Back in my acting school days, we were often encouraged to dwell in the small silences between sentences—to not feel compelled to speak straight through, but to allow the character to think, to consider, to ruminate, if you will. And then going even further back, I remember a one-act play, actually a “sketch”, by the avant-garde playwright, Harold Pinter, in which silences were a key aspect. Of course, the two characters were both in midlife and I was in my twenties; what did I know of broken marriages and broken lives where silence reigned? That would come much later.
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