Rovings
january 2023 edition.
Ed Ruscha, Gilmore Drive-In Theatre, 6201 W 3rd St. from the series Parking Lots, 1967/1999.SoundsPacific Gas & Electric, “Staggolee”Tim Daisy, New Works For Solo PercussionTim Daisy & Ikue Mori, Light and ShadeThe Compass—Sounds of the City: Los Angeles, BBC SoundsMargarida Garcia, Good NightLuther Davis & Hus Caudill, Old-Time Galax-Style Twin Fiddling recorded by Tom Carter & Blanton OwenKate Fagan, “I Don’t Wanna Be Too Cool”Various Artists, The Sun is Setting on the WorldYasmin Williams, Urban Driftwood Pigeon Pit, feather river canyon bluesLisel, Patterns For Auto-Tuned Voices And DelayTheophilus Oluwafifehami Ajayi, “Destination To West Africa”Biensüre, “Cawa”Michael Snow, “Conference: Subject: 3 Inches = 77 Milimetres = 3 Min 30 Sec,” Hearing AidFelipe Perez y Sus Polkeros, “Las Criadas,” Dulce SueñosSir Lancelot, “Atomic Energy”Pete Seeger, “Talking Atom”Sam Hinton, “Old Man Atom”David Grubbs, On Derek Bailey, Roulette Intermedium PodcastHastagPublicEnemy, BBC Sounds DramaTom Verlaine, Gaylord Fields Show, WFMU 6 January 2006Jacueline Nova, Creation of the Earth: Throbbing Echoes of Jacqueline Nova—Electroacoustic and Instrumental Music (1964-1974)WordsGayl Jones, PalmaresMick Herron, London RulesAmanda Petrusich, “David Crosby Understood the Sharpness of Despair,” New Yorker, 24 January 2023Allyson McCabe, “She Brought New Sounds to Colombia. The World’s Catching Up,” New York Times, 20 January 2023Jeremy Gordon, “Wax Cylinders Hold Audio From a Century Ago. The Library Is Listening,” New York Times, 02 January 2023Gagosian Quarterly, Winter 2022 Wilfred Chan, “‘It’s a strange moment we live in’: MLK sculptor on backlash to monument,” Guardian, 19 January 2023Charles Capper, “‘A Little Beyond’: The Problem of the Transcendentalist Movement in American History.” Journal of American History 85, 2 (1998): 502–39Jennifer Wilson, “John le Carré’s Search for a Vocation,” New Yorker, 16 January 2023Merve Emre, “Has Academia Ruined Literary Criticism?,” New Yorker, 23 January 2023Rhea Nayyar, “An Afternoon in the Park With Shahzia Sikander’s Golden Monuments,” Hyperallergic, 24 January 2023Alyssa Battistoni, “Latour’s Metamorphosis,” Sidecar—New Left Review, 20 January 2023Chris Wright, “The Radicalism of Working-Class Americans by Chris Wright,” Labor Online, 11 January 2023Dylan Riley & Robert Brenner, “Seven Theses on American Politics,” New Left Review 138, November/December 2022Tim Barker, “Seven Theses on Brenner and Riley’s ‘Political Capitalism’,” Origins of Our Time Substack, 24 December 2022Margaret O’Mara, “Are You Better Off than You Were Four Years Ago? The Economy in Presidential Politics,” Perspectives on History, 10 September 2020“Walls”Vittore Carpaccio: Master Storyteller of Renaissance Venice @ National Gallery of Art Vermeer’s Secrets @ National Gallery of ArtRomare Bearden: Artist, Activist, and Advocate of the Promised Land @ BYU Museum of ArtIn the Shadow of Mt. Tam @ Anthony Meier GalleryEd Ruscha, Parking Lots @ Yancey Richardson Gallery Brad Stumpf, Shadow Plays @ HarkawikRick Lowe, Notes on the Great Migration @ Neubauer Collegium “Stages”The Tempest @ Roundabout Theatre, 28 January 2023Partch Ensemble Making Music: Daniel Rothman, 8 December 2022Partch Ensemble Making Music: TJ Troy, 6 December 2022John Zorn and Bill Laswell, Turbines @ Gagosian, 19 December 2023Meridian Brothers @ New Sounds, WNYC, 23 January 2023Yo La Tengo with Sun Ra Arkestra horns @ Bowery Ballroom, 25 December 2022Ron C. Judd, Red Scare Politics at Western Washington University @ Whatcom Museum, 8 February 2018Elijah Wald, “A Tribute to Samuel Charters” @ ARSC Conference, 28 May 2015The Theodore Roszak Papers in Focus @ Stanford Library Special Collections, 15 November 2022ScreensAmie Siegel, The Architects, Hyundai Card Video Views, MoMA MagazineHy Hirsh, Come CloserArgentina, 1985Jack Ryan, Season 03CasinoHunters, Season 02
Ed Ruscha, Gilmore Drive-In Theatre, 6201 W 3rd St. from the series Parking Lots, 1967/1999.SoundsPacific Gas & Electric, “Staggolee”Tim Daisy, New Works For Solo PercussionTim Daisy & Ikue Mori, Light and ShadeThe Compass—Sounds of the City: Los Angeles, BBC SoundsMargarida Garcia, Good NightLuther Davis & Hus Caudill, Old-Time Galax-Style Twin Fiddling recorded by Tom Carter & Blanton OwenKate Fagan, “I Don’t Wanna Be Too Cool”Various Artists, The Sun is Setting on the WorldYasmin Williams, Urban Driftwood Pigeon Pit, feather river canyon bluesLisel, Patterns For Auto-Tuned Voices And DelayTheophilus Oluwafifehami Ajayi, “Destination To West Africa”Biensüre, “Cawa”Michael Snow, “Conference: Subject: 3 Inches = 77 Milimetres = 3 Min 30 Sec,” Hearing AidFelipe Perez y Sus Polkeros, “Las Criadas,” Dulce SueñosSir Lancelot, “Atomic Energy”Pete Seeger, “Talking Atom”Sam Hinton, “Old Man Atom”David Grubbs, On Derek Bailey, Roulette Intermedium PodcastHastagPublicEnemy, BBC Sounds DramaTom Verlaine, Gaylord Fields Show, WFMU 6 January 2006Jacueline Nova, Creation of the Earth: Throbbing Echoes of Jacqueline Nova—Electroacoustic and Instrumental Music (1964-1974)WordsGayl Jones, PalmaresMick Herron, London RulesAmanda Petrusich, “David Crosby Understood the Sharpness of Despair,” New Yorker, 24 January 2023Allyson McCabe, “She Brought New Sounds to Colombia. The World’s Catching Up,” New York Times, 20 January 2023Jeremy Gordon, “Wax Cylinders Hold Audio From a Century Ago. The Library Is Listening,” New York Times, 02 January 2023Gagosian Quarterly, Winter 2022 Wilfred Chan, “‘It’s a strange moment we live in’: MLK sculptor on backlash to monument,” Guardian, 19 January 2023Charles Capper, “‘A Little Beyond’: The Problem of the Transcendentalist Movement in American History.” Journal of American History 85, 2 (1998): 502–39Jennifer Wilson, “John le Carré’s Search for a Vocation,” New Yorker, 16 January 2023Merve Emre, “Has Academia Ruined Literary Criticism?,” New Yorker, 23 January 2023Rhea Nayyar, “An Afternoon in the Park With Shahzia Sikander’s Golden Monuments,” Hyperallergic, 24 January 2023Alyssa Battistoni, “Latour’s Metamorphosis,” Sidecar—New Left Review, 20 January 2023Chris Wright, “The Radicalism of Working-Class Americans by Chris Wright,” Labor Online, 11 January 2023Dylan Riley & Robert Brenner, “Seven Theses on American Politics,” New Left Review 138, November/December 2022Tim Barker, “Seven Theses on Brenner and Riley’s ‘Political Capitalism’,” Origins of Our Time Substack, 24 December 2022Margaret O’Mara, “Are You Better Off than You Were Four Years Ago? The Economy in Presidential Politics,” Perspectives on History, 10 September 2020“Walls”Vittore Carpaccio: Master Storyteller of Renaissance Venice @ National Gallery of Art Vermeer’s Secrets @ National Gallery of ArtRomare Bearden: Artist, Activist, and Advocate of the Promised Land @ BYU Museum of ArtIn the Shadow of Mt. Tam @ Anthony Meier GalleryEd Ruscha, Parking Lots @ Yancey Richardson Gallery Brad Stumpf, Shadow Plays @ HarkawikRick Lowe, Notes on the Great Migration @ Neubauer Collegium “Stages”The Tempest @ Roundabout Theatre, 28 January 2023Partch Ensemble Making Music: Daniel Rothman, 8 December 2022Partch Ensemble Making Music: TJ Troy, 6 December 2022John Zorn and Bill Laswell, Turbines @ Gagosian, 19 December 2023Meridian Brothers @ New Sounds, WNYC, 23 January 2023Yo La Tengo with Sun Ra Arkestra horns @ Bowery Ballroom, 25 December 2022Ron C. Judd, Red Scare Politics at Western Washington University @ Whatcom Museum, 8 February 2018Elijah Wald, “A Tribute to Samuel Charters” @ ARSC Conference, 28 May 2015The Theodore Roszak Papers in Focus @ Stanford Library Special Collections, 15 November 2022ScreensAmie Siegel, The Architects, Hyundai Card Video Views, MoMA MagazineHy Hirsh, Come CloserArgentina, 1985Jack Ryan, Season 03CasinoHunters, Season 02
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