This is the second essay on the conception and creation of my novel
Metropolitan. Perhaps it’s best, if you’re new here, to start with
the first installment.
We now return to the narrative.
Actually writing
Metropolitan was, as it turns out, quite a chore.
My previous two books,
Aristoi and
Days of Atonement, had been easy and joyful to write. I have no explanation for why one work is easy for me and another is hard—
Aristoi, Hardwired, and
This Is Not a Game were effortless:
Angel Station, Metr...
Published on April 18, 2012 23:04