Unforgiven

When it comes to Clint Eastwood’s directing work, it’s important to separate the films he made for financial reasons (The Rookie, Firefox) from the ones that were more personal to him (Bronco Billy, Honkytonk Man, White Hunter Black Heart). This feels like the latter, a script he gravitated towards (after decades languishing in assorted places, including his own office when his script reader hated it), that didn’t really have much perceived potential for huge box office gains, and had a lot ...