GASPAR SALADINO in THE INVADERS

This series was a chance for Roy Thomas to write about the Golden Age Marvel superheroes during World War Two, and it was popular for a while, running 41 issues from 1975 to 1979. Gaspar Saladino lettered some of the covers and a single first story page for the book. The first cover I think was lettered by Gaspar is above. (Issue #1 is credited to him in the Grand Comics Database, but I believe that one is lettered by Danny Crespi.) The caption under the logo looks like his work, I’m not sure about the bottom caption, which might be by someone else.

The lettering here is more obviously by Saladino, the creative styles used in the caption on the right point to that, and the smaller lettering is in his wide, angular style. Note also that the open lettering and the panel borders have relatively thin outlines. Crespi, the other most frequent cover letterer at this time usually did thicker ones, and his work tended to be more rounded in general. The signs are also by Gaspar.

The strongest evidence of Saladino’s work here is the lower case lettering in the next to last line of the circular caption. Note also the square shapes and thin outlines of U-MAN. The thick border was probably two thin ones that someone at Marvel filled in black.

More fine Saladino lettering styles here, especially in Captain America’s unusual balloon.

Look closely at the open letters of BARON BLOOD. The outlines were drawn first with a small pen point, and the inner shapes retain that. Then Gaspar went around the outside again to add thickness and emphasis. He often did that.

I’m less sure about this one, but it simply looks more like Saladino’s work to me than that of Crespi or anyone else lettering covers at the time (like Danny Crespi, for instance).

Another cover with subtle clues to Gaspar’s style that are hard to pin down but add up to a credit for him in my opinion.

This one is easier, the style of the top burst caption is full-on Saladino.

When Marvel’s production department reversed the lettering, as here, it makes it a bit harder to tell who did it, but angular shapes in the first caption are a good clue that it’s Gaspar.

As an example of subtle Saladino style points, look at the word YANKS in the burst balloon. See how the S has a wide flat stroke in the middle with curves above and below that are shorter? That’s a Gaspar S, an extreme example, but most other letterers did them more rounded.

Another subtle point, notice how the horizontal strokes of the E and F in the small letters of the last balloon have an upward arch? That was Gaspar’s tendency, while Crespi usually did them very straight.

These blurbs have styles that Gaspar used regularly. The heavy border on the caption is a bit surprising for him, possibly someone else added to it.

The burst balloon here is clearly by Gaspar, both the burst shape and the letter shapes in DIE are distinctive.

Lots of Saladino lettering on this cover despite the busy art. I love the stars in LIBERTY LEGION.

The banner on this final cover example is again pure Saladino, and the balloons are a bit larger than usual, allowing his style to be more evident.

It’s kind of surprising that the only page 1 lettering by Gaspar on this book was for the final issue. His title is terrific. So, just one inside page by him.
To sum up, I found Saladino lettering on these covers: 2-5, 7-8, 11, 13-14, 16-17, 19, 37, 40, Annual #1. That’s 15 in all. Other articles in this series and more you might enjoy are on the COMICS CREATION page of my blog.
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