I love discovering old shit that I missed in my indifferent, misguided youth. Yet another example: Headless Cross, Black Sabbath's 14 studio album.
Released at the tail end of the glorious 80s (1989), this was Sabbath's second album with singer Tony Martin... and so I had no interest at the time. I was too wrapped up in Metallica, Maiden, Priest, Anthrax, Megadeth, et. al, a story I relayed a bit
during a recent appraisal of Nativity in Black for Metal Friday. I had abandoned Sabbath after the Dio years, and so this album came and sank beneath the waves without my notice or credit.
Credit YouTube's algorithms for recently recommending me this video, during a day when I was getting some housework done and only idly listening. When "Headless Cross" began I quickly snapped out of my torpor and realized, t
his is pretty damned good. "Devil and Daughter" cemented my opinion.
This led me to another revelation.
Tony Iommi is Black Sabbath.
Not Ozzy Osbourne.
Not (RIP) Ronnie James Dio.
It's Tony Iommi, hands down, and if you think otherwise, you're wrong. His guitar tone, and songwriting, are what unites all these albums and disparate singers and makes just about every Sabbath album worth listening to.
Headless Cross is more evidence.