Episode 261 – How to Write Brilliant Beginnings with S.W. Millar

Mark interviews S.W. Millar about his new book – How to Write Brilliant Beginnings: Crafting Your Novel’s Opening Chapters Made Easy.

Prior to the main segment, Mark shares a brief personal update, comments from recent episodes, and a word about this episode’s sponsor.

You can learn more about how you can get your work distributed to retailers and library systems around the world at starkreflections.ca/Findaway.

In their conversation, Mark and Shane talk about:

Shane’s background as an urban fantasy writer and a certified Story EditorWriting his first novel back in 2010, pulling it out of a drawer in 2015 and realizing how much it was lacking, and then engaging in a long period of study to better his craft and understanding of the businessWanting to write the kind of books he needed when he was first starting out and wanting to learnHow reading Jim Butcher’s Harry Desden files novels inspired Shane to want to write similar talesRealizing that he wanted to train as a writer-friendly editor with Kristina Stanley from FictionaryThe importance of having a degree of distance when you are taking in feedback from editors or readersShane’s preference for the type of fiction he prefers to edit: Urban fantasy, Thrillers, and Science-FictioHow to Write Brilliant Beginnings, Shane’s new book, and why it is such an important element to help with salesThe invisible/subtle question that you set up so that, in the reader’s mind, they are compelled to keep reading to find the answer to itWhy it is equally compelling to end your chapters, particularly the first two or three chapters, which as much of a hook as possibleThat “just one more principal”The idea of a character “going about their current ‘flawed’ existence”How everything a character sees and experiences is filtered through their wound and scarGiving your main character something very unique to them as an identifierThe five top things that you should give your character for them to be three dimensional and compelling to readersThe value of opening the novel with some type of conflict or action beatWhen ending chapters or cutting scenes, the element of cutting it off BEFORE the resolution that can compel the reader to keep readingThe way that old television programs, such as Batman that always cut to a commercial break with a hook that would make the audience want to keep watching to find out how it was resolvedThat “know, like, and trust” thing which can be so important when engaging in social mediaThe importance of open-ended questions that can lead to engagement and detailed answersShane’s books: How to Write Brilliant Beginnings, How to Plot Your Novel and How to Write Novels FastAnd more…

After the interview, Mark reflects on distance and objectivity as well as that end of chapter “cut to commercial” hook.

Links of Interest:

S. W. (Shane) Millar’s WebsiteInstagramTikTokFictionaryEP 260 – Mood, Atmosphere, and Worldbuilding with Joshua EssoeBuy Mark a CoffeePatreon for Stark ReflectionsBest Book Ever PodcastLovers Moon PodcastThe Relaxed AuthorBuy eBook DirectBuy Audiobook DirectPublishing Pitfalls for AuthorsAn Author’s Guide to Working with Libraries & BookstoresWide for the WinMark’s Canadian Werewolf BooksThis Time Around (Short Story)A Canadian Werewolf in New YorkStowe Away (Novella)Fear and Longing in Los AngelesFright Nights, Big CityLover’s MoonThe Canadian Mounted: A Trivia Guide to Planes, Trains and Automobiles

The introductory, end, and bumper music for this podcast (“Laser Groove”) was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0