Shocker

Wes Craven was at the point in his career when he should have been incapable of making movies this bad. Working regularly in and out of the studio system since the early 70s, almost twenty years, he has the technical skill and access to a craftsman talent pool large enough where the complex production process should be streamlined enough to where he can approach the actual production with a confidence that allows him to write with fewer compromises. Instead, the competent production highligh...