The line break is dead

Or is it? What makes a contemporary poet engage with the line break? In preparing for another stint blogging at Harriet I've been glancing over old posts (Strangely enough I want to redo many of them for I haven't quite said the thing, but never mind...) and I found this conversation with Ken Babstock that I quite forgot I had. It's a bit defensive, not propulsive, which may be a reflection of my