One of the strangest music purchases I made as a kid--simultaneously disappointing and exhilarating--was Robert Fripp's 1981 experimental recording
Let The Power Fall. I'd recently gotten into
King Crimson (largely
via an appearance of the band on the short-lived
SNL imitation
Fridays--and was just getting into
Brian Eno, whose work sometimes featured Fripp's guitars. And by then I was also deeply devoted to
Bowie, who'd also worked with Fripp.
So when I saw a cassette copy of
Power at the local ...
Published on January 30, 2022 08:40