
Not a great series, but it has its amusements. What started as a rather serious look at a policeman with suicidal depression finding reason for life quickly became a corporate product, driven by opening weekend grosses hinging entirely on recognizable elements and the charm of its leads.
I can easily see why Shane Black found a way to direct his own scripts with Kiss Kiss, Bang Bang. His script for Lethal Weapon 2, supposedly some kind of masterpiece, was rewritten to the point where it b...
Published on December 29, 2021 16:09