“Our first questions about the value of a book, of a human being, or a musical composition are: Can they walk? Even more, can they dance?”
Almost everything I write, I “write” in the notebook of the mind, with the foot in motion — what happens at the keyboard upon returning from the long daily walks that sustain me is mostly the work of transcription.
I am far from alone in the reliance on ambulatory solitude as an anchor of creative practice — there is Rebecca Solnit’s lovely definition of wa...
Published on December 12, 2021 12:02