Janet Malcolm on the moral evasion of psychological language

Janet Malcolm, The Journalist and the Murderer:

“The book’s [Harry Cleckley’s The Mask of Sanity] thesis…is that there is a kind of evildoer called a psychopath, who does not seem in any way abnormal or different from other people but in fact suffers from ‘a grave psychiatric disorder,’ whose chief symptom is the very appearance of normality by which the horror of his condition is obscured. For behind ‘the mask of sanity’ there is not a real human being but a mere simulacrum of one….

“Cleckley’s ‘grave psychiatric disorder’ is, of course, the same disorder that afflicted Count Dracula, Frankenstein’s monster, and a host of other wonderful literary creations. The attempt to solve the problem of evil and perpetuate the Romantic myth of the innate goodness of man through the fanciful notion that the people who commit evil acts are lacking in the usual human equipment—are not ‘real’ human beings at all but soulless monsters—is a familiar topos of Victorian Romantic literature….To McGinniss, the concept of the psychopath did not so much offer a solution to his literary problem of making MacDonald a believable murderer as give him permission to evade the problem—just as the concept itself evades the problem it purports to solve. To say that people who do bad things don’t seem bad is to say something we already know: no one flaunts bad behavior everyone tries to hide it, every villain wears a mask of goodness. The concept of the psychopath is, in fact, an admission of failure to solve the mystery of evil—it is merely a restatement of the mystery—and only offers an escape valve for the frustration felt by psychiatrists, social workers, and police offers, who daily encounter its force.”