three characters in search of forgiveness

In his online notebook, my friend Adam Roberts is reflecting on a certain kind of fictional character, the Murderbot kind, the Winter Soldier kind, and reflecting also on a certain intensity of fascination with them. I have to say that I’m not totally sure I understand Adam’s account, but if I do understand it I don’t think I agree with his conclusion. That is, I don’t think people who stan for Murderbot and Bucky Barnes are associating their own sins with those of the characters. I think they’re trying out a little thought experiment to answer a question: Under what conditions might forgiveness of great sin be possible?

And I think this is an important question because, as I never tire of saying, our society “retains an inchoate sense of justice but has no means of offering and receiving forgiveness.” In my reading, the interest of characters like Murderbot and Bucky is that their stories outline the conditions for forgiveness, which may be stated briefly thus: You may be forgiven for something if you can show that it wasn’t really done by you. When Murderbot killed 57 people, it did so under commands it could not have overriden; ditto with all the killing that Bucky did. You have to be able to redefine yourself not as acting but as acted-upon.

Here’s another fictional character who fits this description: Hamlet. When in Act V he confronts Laertes — Laertes who is hot for vengeance because this man murdered his father and drove his sister to insanity and perhaps suicide — he has a story for him:

Give me your pardon, sir: I’ve done you wrong;
But pardon’t, as you are a gentleman.
This presence knows,
And you must needs have heard, how I am punish’d
With sore distraction. What I have done,
That might your nature, honour and exception
Roughly awake, I here proclaim was madness.
Was’t Hamlet wrong’d Laertes? Never Hamlet:
If Hamlet from himself be ta’en away,
And when he’s not himself does wrong Laertes,
Then Hamlet does it not, Hamlet denies it.
Who does it, then? His madness: if’t be so,
Hamlet is of the faction that is wrong’d;
His madness is poor Hamlet’s enemy.

That is, Laertes should pardon Hamlet precisely because Hamlet has done nothing that requires pardoning. His will was overriden by his madness. Like Murderbot programmed by nasty human beings, and Bucky Barnes re-programmed by Communists, Hamlet has had his executive center taken over, in his case by madness. Therefore: “poor Hamlet.” Not “Poor Polonius” or “Poor Opehlia” — poor Hamlet. He’s the real victim here.

So, four hundred years avant la lettre, those are the circumstances in which our culture can most easily imagine forgiving people: When they can spin the story, accurately or inaccurately, to cast themselves as victimized. But if they can achieve that, then they can be forgiven anything.

What happens, though, to those of us who performed our wrong while in our right minds?