Rather dated attitudes but a classic children's adventure story

Swallows and Amazons (Swallows and Amazons, #1) Swallows and Amazons by Arthur Ransome

My rating: 5 of 5 stars


The book that started it all, for me. I read all twelve books in this series, which starts with this one, when I was a child. If anything turned me on to reading, these did. And now, returning after more than fifty years, what do I find?

The children are all carefully characterised; they are real and individual. You have the adventurous boy, the home-maker, the dreamer, the comedy character, the tom-boy and the talkative one. But the gender roles reflect the expectations of people at the time (it was written in 1929). John says that he and Roger will one day join the Navy; this is assumed as inevitable. The girls will be home-makers. The children are from privileged families: Nancy and Peggy have a cook at home; when they encounter a policeman (Sammy) they tell him off and boss him around (he is working class). The boats are hierarchically arranged; there are a lot of 'Aye Aye Sirs'.

A lot of the imaginary adventures involve the implicit assumptions of racist colonialism. Thus, the children are intrepid explorers; adults are referred to as 'natives' or 'savages' who might be cannibals.

My pre-teen self in the early 1960s noticed none of this.

There is a surprising amount of technical detail in the book. Very early on, well before the adventures proper have started, the children have to learn how to step the mast and hoist the sail of Swallow and this is explained in detail. As a writer I would hesitate to start the narrative so slowly. As a young reader I don't think I even noticed this bit; I certainly didn't understand it (I still don't). I suppose it adds verisimilitude; it makes me feel that Ransome is talking about a particular dinghy whose idiosyncrasies were known to himself; it grounds the story in undeniable authenticity and it lends a sort of depth to the narrative that a musician might achieve with a bass line that nobody apart from fellow musicians would notice.

But it is a big book and it starts very slowly. The first chapter involves them getting permission (by a telegram from absent father containing the immortal words 'better drowned than duffers if not duffers won't drown'; words I have remembered for over fifty years) to go on their adventures; the second the details about preparing the ship and the tents and the stores, so they don't actually set sail until 10% of the book is already finished. In terms of the Hero's Journey this gives the 'ordinary world' of the heroes, the status quo ante, which grounds the heroes in reality and makes the reader identify with them. But it is a slow start.

The structure of the book is classic. The Swallows encounter the Amazons almost exactly at the 25% mark, the adventure that acts as the focus of the book begins at the 50% mark; the resolution of the problems with 'Captain Flint' starts promptly at the 75% mark; the culminating discovery is almost precisely at 90%.

One of the main stories (the Captain Flint subplot) is beautifully foreshadowed. The final few pages also seem to foreshadow several of the other books in the twelve book series.

So it is surprising that it gripped me the way it did. I suppose it enchants primarily because of its subject. Like all classic children's adventure stories it promptly gets rid of the grown-ups. And what could be more exciting than camping on an island and sailing your own boat.




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Published on February 27, 2021 02:33
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