Describe all externals in your story—settings, objects, otherpeople, etc.—through the eyes of a character instead of through the"neutral" eyes of the narrator. This technique accomplishes threethings:
1) It keeps the narrator out of the picture. (The writer's goal is tostay
invisible.) 2) It's a time-saver: Readers get necessary descriptions of thecharacter's surroundings while learning about the character. This moves thestory along faster.3) It's a handy way to weave in back-story unobtrusively, withoutresorting to longer flashbacks that can break up the "now-ness" of the story.
Published on December 30, 2011 20:26