Chaya Czernowin: Infinite Now
In 2017 I was fortunate enough to attend the world premiere of Chaya Czernowin’s third opera, Infinite Now, at Opera Vlaanderen in Ghent, Belgium. It was a remarkable experience. The opera’s libretto is based on and amalgamates two stories: the novel Homecoming by the Chinese avant-garde writer Can Xue (born 1953), and the play FRONT … Continue reading Chaya Czernowin: Infinite Now →
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