Watching Life of How Life Used To Be

Untitled (Girl in Window) (1999), Gregory Crewdson

(a la Robert Hughes)

All film-watching is now nostalgic because it is the way the world was. Social-distancing in any films that are theatrical in nature can’t exist as before, evincing the over-the-shoulder shot, with characters in a blurred pull-focus, large wide-angle shots with just a few people in the distance, or the “0-Shot” (