Hierarchy in The Imaginative Realm
Some of the greatest pieces of literary work are those that lucidly demonstrate the state of the imaginative realm. This realm, which is fundamentally a reflection of the author's psyche, is homogenously isomorphic to the actual experiences the composer lives. It is similarly shaped into a society that reflects a very interesting hierarchy in its basic form.
When the writer experiences certain events, an automatic reaction takes place in the subconscious, which is manifest as a character or a group of personas in the inventive realm of the author. These figures then arrange themselves accordingly in a natural hierarchy, very comparable to that of which we find in our daily lives, and it comes as the role of the author to experiment with this mini-society in his/her mind.
However, unlike the communities we know in the real world, there are less socially constructed limits in the artistic realms. This means that characters could interact more freely and in an unreasonable manner. Indeed, one could expect anything when it comes to the interaction of these individuals, and here comes the fun part.
The more you could understand the underlying dynamics there, the more you could lucidly write about it, and the more you'll enjoy the process.
As an intelligence that is naturally more aware of the nature of the present realm, the writer would be faced with some aggressiveness from roaming characters put under the test. This hostility is nothing but an exhibition of some restrained thoughts or emotions the writer stored in the conscious memory, which had to appear later on as a common trait in the collective cognizance in the hierarchical state of the societies formulating in the imaginative realm.
Interplay with them is key to discovering stories that might come of great interest to many people, and that could be shaped to send a certain message. Remember, there always has to be a message, for writing eventually is the sacred art of expression. And the most beautiful form of expression is that which could be lucidly transmitted from the imaginative realm to the literary field.
Later on, I will explain with details the ways of accessing such societies, how do I study their hierarchical dynamics and my method of employing what I learn to place the foundations of some interesting stories.
When the writer experiences certain events, an automatic reaction takes place in the subconscious, which is manifest as a character or a group of personas in the inventive realm of the author. These figures then arrange themselves accordingly in a natural hierarchy, very comparable to that of which we find in our daily lives, and it comes as the role of the author to experiment with this mini-society in his/her mind.
However, unlike the communities we know in the real world, there are less socially constructed limits in the artistic realms. This means that characters could interact more freely and in an unreasonable manner. Indeed, one could expect anything when it comes to the interaction of these individuals, and here comes the fun part.
The more you could understand the underlying dynamics there, the more you could lucidly write about it, and the more you'll enjoy the process.
As an intelligence that is naturally more aware of the nature of the present realm, the writer would be faced with some aggressiveness from roaming characters put under the test. This hostility is nothing but an exhibition of some restrained thoughts or emotions the writer stored in the conscious memory, which had to appear later on as a common trait in the collective cognizance in the hierarchical state of the societies formulating in the imaginative realm.
Interplay with them is key to discovering stories that might come of great interest to many people, and that could be shaped to send a certain message. Remember, there always has to be a message, for writing eventually is the sacred art of expression. And the most beautiful form of expression is that which could be lucidly transmitted from the imaginative realm to the literary field.
Later on, I will explain with details the ways of accessing such societies, how do I study their hierarchical dynamics and my method of employing what I learn to place the foundations of some interesting stories.
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