Master Class 6: Special K


Welcome to the 5th edition of The Pulse -- The State of the Art -- a survey in words and pictures of the online artist community. The Pulse is a collaborative project that aims to introduce you to new artists, help you get to know familiar faces even more, and allow you access into the creative hearts and minds of a very talented crew of individuals. More than 130 artists have answered a series of questions which make up The Pulse. Their responses will be presented in a series of online posts which will run every Sunday.
Style File and Techniques & Tools were the first two projects posted and links to all 23 posts can be found on the sidebar of my blog. The third project, Master Class, continues now...

Participants were asked : 'If you could take a class from one artist from anytime in history, including the present, who would it be and why?'(Images and links have been added by The Altered Page)----------------------------------------------
dorit Elisha chose Paul Klee. "I would LOVE a lesson with Klee. I love his playful and imaginative control of color, texture and subject. I would love to live inside his paintings, which sometimes look and feel like a dream."


Mary Beth Shaw would "jump back into history to study with Paul Klee. I admire so many things about him, his color management, obviously his draftsmanship and also the symbolism in his work. I am especially interested in the fact he was a mixed media guy and didn't really follow the trends of his time, but developed his own voice, often working in isolation, using unconventional supplies, trying new techniques. There is a certain humor in some of his early work that intrigues me and I think it would be fun to take a class from him."


Chris Miser is on the same page but also adds a 'second K.' "I so admire Klee's use of color and color theory, his representation of mathematic and musical (metered) concepts in his art, and the humor he injected into his work. I've always been drawn to his work and to Kandinsky's, who was a peer of Klee, because of their work in cubism, surrealism, and other schools of abstract art, as well as Bauhaus, which I find odd but oddly compelling. Klee has the added appeal of working passionately in many different media, and incorporating wit."

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Barbara Kleinhans chose Anselm Kiefer "because his work is many things that mine is not: large, bold and dark. I admire his fearless use of elements other than paint in his work."



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Shayla Perreault Newcomb chose Gustav Klimt. "His family background was in jewelry and that gave him advanced techniques in the use of real gold in his paintings. I would love to learn his techniques, plus have the opportunity to see some of the larger than life paintings that sadly were destroyed by the Nazis."


annie! also chose Klimt "because I think he was brilliant with collage and color."


Cory Celaya chose Klimt for a different reason..."he used two of my favorite elements, the face/figure and pattern."

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Natasha White chose Emare Karaka (Emily Karaka). "I remember when I first saw a piece of her work during a visit to a gallery while I was still at high school and I did not get much further. I kept coming back to it. Her work mesmerized me, it was so bold and emotional and symbolic and colourful and I connected. That work has a hold on me even now, decades later I can still see it and remember my response to it. I am goosebumpy just thinking about it. I love her work and would take anything she could teach me with two hands and my heart in an instant."



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Kelly Kilmer (a double K herself) said "If I could go back in time, I would love to take a class with Corita Kent, aka Sister Corita. Her use of color, line, imagery and text resonate very deeply with me. I have her book (co-written with Jan Steward), Learning by Heart: Teachings to Free the Creative Spirit, and it has opened my eyes to the multitude of possibilities that exist in the world. It's all about learning to see and expressing what you see and feel."




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Next 'Master Class' will be held on Sunday, January 22nd.
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Published on January 14, 2012 21:01
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