Beat Me, Daddy, Eight to the BarFrom
The Atlantic magazine,
a short piece on Josef Skvorecky, a refugee to Canada from the Prague Spring of 1968. In the intro to his book
The Bass Saxophone, he lists a set of regulations that had "engraved themselves deeply on my mind," issued during the Nazi occupation of Czechoslovakia. They were binding on all local dance orchestras.
So what were the regulations, you ask?.
Published on January 10, 2012 15:47