Welcome to my Parlor: Jessa Callaver

Hi peeps!  Hope your New Year's celebrations were a blast! I'm still a little tipsy from the wine, but it's time to get this gravy train a movin'! Let's kick off the New Year with a new author! *insert auditorium screaming* 
The first installment of the 2012 Welcome to My Parlor series features an author who, if you haven't heard of her, you need to.  Allow me to introduce you to the super talented, super sweet Jessa Callaver!!  Jessa's all set to Drip her INK so let's get this party started, K? 
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Sable: Hi Jessa! Thanks for swinging by the Parlor today. Can you tell the people a bit about yourself?
Jessa: I honestly don't know what tosay about myself. I'm Jessa Callaver, 'of age,' and have been penning shortstory fiction for about 9 months now - published my first story in April 2011.Entirely self-trained, for better or worse lol.

Sable: "Of age". *giggles* For those paying attention, that's shorthand for "Never ask a woman her age". I've used it a time or two. Ha! Let us in on the piece you've brought, Jessa.  What was the inspiration? 

The Very Thought of Him
Just 99¢!
Buy NOWJessa: Well, my latest short storyis entitled The Very Thought of Him. It's my third self-published work.Dara, the main character, is an intelligent, head-strong, single 'modern woman.'She has a career, friends, and a stable day-to-day life that just seems to bemissing something. And, like so many single women, she chooses to go onlineseeking what she's missing…seeking something more, something different thanwhat she's used to. Companionship, a connection, adventure…she doesn't reallyknow. While cruising an online tryst site, she stumbles across the profile of aguy named Kelly (I know, odd name choice), and begins to fantasize about him,but is unsure whether to pursue it. He's younger, he's a virtual stranger, andit is, of course, the Internet. The short story gives the reader a window intoDara's 'what if' scenario.
At times, I have no ideawhere the inspiration for a certain storyline comes from. I do draw things frommy own long list of 'what if' fantasies - and being the in-her-head, incurablyshy dater that I am, the list is ample. But there are definite overlaps, I'mnow seeing, between the protagonists in my stories. To begin, they're allfemale - not by accident - and that they're all on the cusp of a new experienceabout which they're curious yet unsure. It's that curiosity that inspires me,and I usually build my story around it. Around the curious yet optimisticallyadventurous and unsure female, and what, based on my own curiosities, I'd liketo see them explore or delve into in their lives. Dara was no different.
I'd wanted to write a storyabout virtual reality sexuality for a while. I know even citing the paradox ofour being a society so connected yet simultaneously disconnected is a bit clichébut…in my opinion, true all the same. And, more than just being people seekinga cheap thrill or tawdry hookup, though that's there as well, I think peopleare desperate for that connection - however they can get it. Online dating andhook-up sites are pervasive, and there are of course your more 'sanctioned'sites and then those that lie on the cusp, if not tread in the trenches, of 'impropriety.'In certain pockets of America e-dating is viewed as something for desperate orGod forbid 'unattractive' women and men to find companionship or relationships.And so with all that floating around in my mind, I was inspired to createDara - to explore the depths of this 21st century existentialterrain. From the get go, I couldn't see someone as skeptical as her at adating site. They didn't have the requisite adventure and excitement for her.So, I decided to put her somewhere a bit out of her element. Somewhere shecould be comfortably uncomfortable, apprehensive yet restless and inquiringenough to do it anyway. I honestly can't say for certain whether she goesthrough with it or not. Might sound odd, being the author of this creation lol…butit's true.
Sable: Story of my life.  I know I did it, just not sure how it ended. LOL! So what got you started as a writer?
Jessa:  I started penning fictionwhile I was dating this guy (he shall go deservedly nameless lol). It was along distance thing and I'd, while messaging him one night, brought up the ideaof us sending each other mini-stories - smut tales I think we called them -whenever the inspiration hit. After a while, I was the one doing most of thewriting I realized, and was moreover liking the freedom I felt in it. It wasduring this time that the idea for Family Care just came to me, and Ibegan taking notes and developing the story - what lonely nights will produce.I finished it while he and I were still together, yet, as it would turn out,that piece was probably the most valuable thing that came out of thatrelationship lol For the mere fact that I'd finally fleshed out a story that Iliked, from start to finish, I was elated, and somewhat impetuously felt theneed to share with the class. I'd had several false starts in the past onnon-fictional projects that which, for whatever reason, I just couldn't 'guide'towards maturation. The desire was there, but the inspiration would wane as I'dstruggle with what to do with the idea - what my approach should be, where togo with it, how to write it, what to focus on, what I wanted tosay in writing it. Fantasy fiction surprisingly cleared out all of thosequestion marks and just allowed to me write what flowed…and boy did it lol.
Sable: One of the things I find hardest in this writing business is knowing when the story ends.  How do youknow when you're done and the story on the page is the one you want released?
Jessa: That's a tough question. Theway I write varies depending on the story. I often write in a sort of linearstream of consciousness when first starting the project. But, after I've comeback to it a couple of times, I find that I'll want to see a certain event unfolda certain way in the story or an idea for how to fill in a scene or chapterwill emerge, and I'll just work on massaging it into the story. Sometimes itwill just be a passage, a sentence or a word that I feel would fit into thestory and I plop it in there and write around it. It's the same with myendings; they emerge pretty organically. I can't say there's one way that Iknow a story I've written is done, but often enough it's simply when I can lookat what there and know that I just can't do anymore.
With the most recentpublished story, The Very Thought of Him, I have to say that it wasfeedback from other writers that helped in my editing process, and inspired meto end the story as I did. Initially, I didn't get very good input and reallydidn't know how to improve on the story without sucking the essence from it.Seeing it through others' eyes really opened me up, and from there I was ableto reshape my story into something better.

Sable: The benefits of having beta readers and crit groups, for all the newbies tuning in.  Jessa, do you writein other genres?  Which is your favorite?
Jessa: Atpresent fiction is my primary focus, but I do write in other genres. I'mworking on a memoir and a contemporary romance book at the moment. Mywriting was in essence developed by way of academia - years and years ofwriting essays, term papers and theses - yet always had this somewhatanachronistic bent towards prose. (I remember submitting a formal proposal fora research project on HIV and AIDS, and having one of my advisors tell me thatit was a workable proposal, and quite 'literary' to boot. And, on an unrelatednote, I reconnected with a childhood friend several years back and when wefinally met up, she alluded to finding my e-mails 'poetic.') So, my non-fictionwriting I think is more keyed into that familiar style, and also led meto fiction writing; while actually writing fiction, I find, keeps meloose and helps me mold a story. And both help me develop my writing, so, whileone writes in a style to which I'm more accustomed, there really is nofavorite. Writing romance feels very much like a natural evolution from what I'vebeen writing. Now I can keep those long passages and sentences that I'dnormally delete in a short story lol

Sable: Being an author is a lot like being a juggler. We've always got more than one thing we're INKing at any given time.  What are some of the projects you have up in the air?
Jessa: I'mworking on a couple of projects at the moment. One is a romance novel - myfirst e-novel tentatively titled Maid to Service- that I've been writing for some time; the otheris a short story, Working it Out (again, the working title), that I hope to have released by early next year.


I'm extremelyexcited about the novel. I foresee it being a bit over 300 pages as things nowstand, perhaps longer. Kind of scary lol I honestly don't know how I was ableto arrive at the 168 pages of it that I have right now. The short story is oneI was working in tandem with The Very Thought of Him, and am stillreworking. The main character is someone who, even in her rough portrayal inthe draft that I have now, has deeply resonated with a lot of the female betareaders who have been kind enough to help crit my work; something completelyunexpected and not at all what I'd intended when I began writing the story.Initially, this was again, just an idea that I wanted to see on paper, and wascurious as to where it might go. It was the unexpectedly strong emotionalresponses to the female protagonist and her predicament that inspired me totake a step back, and not just view this story as I would my others - to viewit as more than just as personal creative exposition.  
Sable: Let's talk sex. LOL! Sex scenes, to be more specific.  Do they come easy for you? 
Jessa: No way lol It'sas intricate as writing out a fight scene or a tense conversation between ahandful of characters. Sex has to flow and have pace, has to feel real(not just for the author who has the privilege of knowing what they want tosee/create while the reader does not) and original, and has to progress withoutthe author forgetting whose hand is on whose bum or whose sitting, leaning,humping where lol. Aside from imagination, the context and the characters guidemy sex scenes. I have to admit that I do enter a story with a scene or twoalready floating around in my head, but asthe pieces collide, they usually change; mold with what the story becomes as Iwrite.
Sable:  Very true. Nothing worse than when you've got one hand too many on the wrong backside. That can really balls up a story :) And with readers being so keen on particulars such as that, are you very in depth with the research you do for your stories?
Jessa: It depends on thebook (texture, length etc). But I always find myself researching somefacet or element of the story, some detail. With the romance novel I'm workingon, the research has been non-stop - everything from flora and faunacommon to the location of the story to geographical layouts of certain statesto modes of transportation to entertainment, the list goes on and on. And thisis perhaps another thing that people, both readers and non-readers of eroticaand romance books alike tend to prejudge or overlook. They often assumethat the work involved in penning a novel, novella or short story of this genreisn't as varied, as intensive, as time-consuming, as profound or comprehensiveas that required of written work of other genres. Could not be more wrong - andI have the log in hours and eyestrain to prove it.

Sable: Again, truer words... Double time on the eyestrain! So now I get to play evil Sable (well, eviler Sable). It takes thousands of words to get your point across, but now can you sum up your bookin one sentence? *insert maniacal*
Jessa: In one sentence. Umm…maybe: small town girl seeks online tryst. 
Sable: I know, that was evil. But you passed with flying colors!  Being a fresh new voice on the literary scene, any advice for newbies?
Jessa: Definitely findbeta readers and writing circles of fellow writers to look over your work beforeyou publish, but don't wait until your 'perfect work' to publish.Sometimes you can't see or sense what is missing from your work the way otherscan. And though too many chefs can spoil the soup, be open to others'impressions of your writing, other writers, avid readers and authors inparticular.
Know that, as awriter you're going to continue to grow and develop (if that is your goal) andthat which you view as your pinnacle at one stage, you may end up looking backon with contempt. As your writing acumen improves you'll be able to createthings you were before unable to, or never even thought of adding to yourpieces. To those looking to go the indie self-publishing route, self-publishingand self-promotion themselves are skills to be acquired. 

Sable: Couldn't have said it better myself. Speaking of which, what is your strength and weakness as awriter and how do you hope to improve?
Jessa: I think, from what I've beentold anyway, my strengths lie in dialogue (making it sound or flow naturally)and in internal monologue (in describing a character's motivations for doingsomething). Or in what I call yapping and mental yapping, lol. I often findmyself hacking away at pages of internal monologue and description that delvesinto the characters' minds, and have to force myself to get back to telling theactual story. I suppose this stems from own desire to understand andexplore why people do what they do, which is great for aspiring psychologists,a little stymieing for aspiring authors lol.
I try and read everything Ican; to keep abreast of what's out there, and because I've become a fan of somany writers, new and established, as I've delved deeper into my own writing.There's always room for improvement as I see it. Though, I'd love to write asseamlessly as other authors I've read; to have so many layers to a story yet,still have it flow and draw in the reader as effortlessly as good books do. Atbase, I want to grow as a 'weaver of tales,' however corny that sounds. To beable to integrate the touch, taste, sound, sight, smell elements into a storyand just make it vividly come alive as the books I've read do. That's all. lol!

Sable: Well, Jessa, I think you're well on your way to doing just that! Thanks so much for taking the time to hang out with us in the Parlor. Readers, please leave any questions or comments for Jessa below.  Or you can contact her directly at:
jessa_callaver (at) AOL dot com  <<<--- You know how spammers are. 
And don't forget to pick up a copy of her books, THE VERY THOUGHT OF HIM, THE GOAT AND THE HEATHEN, and FAMILY CARE, all available now!!