Friday Feedback with Sarah Aronson: Top 5 things about writing picture books—even if you think you are a novel writer.
Hey, all, Happy Friday! I am so ridiculously happy and honored to have Sarah here. She's an extraordinary writer, teacher and human, and I'm so thrilled she agreed to be here to give feedback to you today!
I was especially excited for the release of Sarah's awesome new picture book, JUST LIKE RUBE GOLDBERG, because, from a young age, my parents taught me about him, and his name became like Kleenex-for-tissue in our house, a two-word description for anything that was deliciously eccentric, complicated, or complex. Here's a brief description for the book!
Discover how Rube Goldberg followed his dreams to become an award-winning cartoonist, inventor, and even an adjective in the dictionary in this inspiring and funny biographical picture book.
See? An adjective!! Yes!! Just like he was in our house!!!
So, please check out this -- and her other books, order a copy for your classroom or kids, and ask your local library to order it in if they haven't already. A worthy title for any and all collections!! And now, without further ado, here's Sarah, who, I think, expands on the concept of finding the joy and play in our work as we go along we started talking about last week, and then shares FIVE awesome tips for picture book writing:
Hey there! My name is Sarah, and I like to write in multiple genres.
I didn’t think it was going to be this way.
A couple of years ago, after two YA novels and a MG novel, I took the dramatic (at least to me) step to try and write the genres I didn’t think I was good at. I have talked about this decision a lot over the years. Mostly because it changed my career. And made me a happier writer. But at the time, I didn’t know what was going to happen. All I knew is that my third book sold poorly. My fourth book didn’t sell.
I was having less fun.
I needed to get out of my own way. To learn to play. To be like David Bowie. To embrace the creative life all over again. To think less, write more.
And did I say have more fun?I really wanted to have more fun.
During the next six months, (and ever since) I totally indulged myself. And it worked. I wrote The Wish List Book One: The Worst Fairy Godmother Ever.
I started an adult novel (that I still have to finish). I wrote a bunch of picture books—some awful. Some didactic. Some pretty good. One of them came like a spark of inspiration. It became Just Like Rube Goldberg—which was published by Beach Lane Books with GORGEOUS illustrations by Robert Neubecker.
The process of making that book taught me a lot. More than five things. But today, let’s talk about the top five things about writing picture books—even if you think you are a novel writer.
#1 Let’s start with the thing everyone talks about when they talk about picture books:
WORD COUNT!Here is what I learned right off the bat: Short word count is not a demotion. It is a challenge to get to the heart of the story. To embrace THE FORM.
A short word count helps create better pacing. (Don’t you hate it when you are ready to turn the page for a new illustration, but there are still more words to read???) Remember: picture books (like all books) are cinematic. But unlike novels, they are driven by and inhabited through the pictures. Although the words come first in the submission process, the words cannot interfere with the illustrations.
When I saw Robert’s illustrations taking shape, I deleted words.
Now when I work on my picture books, whether fiction or true stories, I try to make them as short as possible. Because words you don’t need are…well…words you don’t need.
#2YOU HAVE TO FEEL CONNECTED TO YOUR SUBJECT. Or in other words: you have to love what you are writing.Or in other words: your heart must be in your story.
Just like Rube Goldberg is all about Rube. But it is also all about ME. It’s about my ideas about creativity—that are embraced by Rube’s. Every second of the process was FUN. Even when I was frustrated with my own limitations, I was enjoying playing with the words.
If you are not having fun…If writing is not feeling like ice cream…If you are making decisions because of THE MARKET. Or BECAUSE SOMEONE TOLD YOU SOME RULE. Stop.
Start a new page.Find your heart in the process.(You will thank me later.)
#3Writing a true story? BACK MATTER MATTERS. Back matter isn’t just a chance to show off how much research I did. Back matter marks the spot where curiosity met process. (Not for nothing, editors like to see that you did your work.) TRUE STORY: when I was researching Rube, I actually found ANOTHER STORY. But mostly, thinking about back matter made me think more about my reader. There was a lot more I could have shared. I created back matter and a bibliography knowing that my readers would be curious, too. I want them to keep learning after they are done reading, since the book couldn’t be about everything. Note: I will be on a panel talking about this at NCTE. Come say hi!
#4 TAKE THE TIME TO MAKE THE DUMMY.See your story on the page.Draw bad drawings.Read your book and turn the page. My first Rube Dummy showed me where I needed to show more.The dummy I just made for my new secret project which I cannot announce yet (Shhhhhhhhhhhhh), showed me where I was overindulging and writing too many words that I did not need. When I cut those words, THE BOOK SOLD.
LAST and MOST IMPORTANT:
#5TRUST and CONFIDENCE are ESSENTIAL.
Just like any project, you have to trust yourself. You have to trust your reader friends.You have to trust your agent.You have to trust your editor. You have to trust your illustrator. It’s a lot of trust.And I will admit: I am bossy. I had ideas for Rube. BUT NONE were as good as this:
So that’s it.Five things.In less than 1000 words.
And, now, I guess it's my turn to put my words where my mouth is and offer up a brief excerpt for your feedback, inviting you to do the same in the comments!
If you've never participated in Friday Feedback, please first read THE RULES!!!
Here is a piece of a picture book WIP I am working on. I'm actually about to submit it.
It's called As Easy as 1 2 3.
Who is the most exhibited artist in the world? Would you believe Picasso?Or maybe Monet?Or how about Dan Robbins?
Never heard of him? Pull up a chair.
Dan Robbins worked at Detroit’s Palmer Paint Company in early 1950. His Boss, Max Klein, could see the writing on the wall. For the first time, Americans had the time, inclination, and money to take up new hobbies—including art.
He asked Dan to create a coloring book—to drum up sales of children’s paints.
But Dan had a better idea.
He knew that the great master, Leonardo da Vinci, taught his apprentices to create fine art by giving them numbered patterns.
Each number on the canvas corresponded to a unique pigment.
Like 1 for red.And 2 for yellow.
Dan figured if it worked for Leonardo, it could work for America, too.
---
So that's it! Looking forward to your comments and your excerpts!!!
Sarah (& Gae)
I was especially excited for the release of Sarah's awesome new picture book, JUST LIKE RUBE GOLDBERG, because, from a young age, my parents taught me about him, and his name became like Kleenex-for-tissue in our house, a two-word description for anything that was deliciously eccentric, complicated, or complex. Here's a brief description for the book!Discover how Rube Goldberg followed his dreams to become an award-winning cartoonist, inventor, and even an adjective in the dictionary in this inspiring and funny biographical picture book.
See? An adjective!! Yes!! Just like he was in our house!!!
So, please check out this -- and her other books, order a copy for your classroom or kids, and ask your local library to order it in if they haven't already. A worthy title for any and all collections!! And now, without further ado, here's Sarah, who, I think, expands on the concept of finding the joy and play in our work as we go along we started talking about last week, and then shares FIVE awesome tips for picture book writing:
Hey there! My name is Sarah, and I like to write in multiple genres.
I didn’t think it was going to be this way.
A couple of years ago, after two YA novels and a MG novel, I took the dramatic (at least to me) step to try and write the genres I didn’t think I was good at. I have talked about this decision a lot over the years. Mostly because it changed my career. And made me a happier writer. But at the time, I didn’t know what was going to happen. All I knew is that my third book sold poorly. My fourth book didn’t sell.
I was having less fun.
I needed to get out of my own way. To learn to play. To be like David Bowie. To embrace the creative life all over again. To think less, write more.
And did I say have more fun?I really wanted to have more fun.
During the next six months, (and ever since) I totally indulged myself. And it worked. I wrote The Wish List Book One: The Worst Fairy Godmother Ever.
I started an adult novel (that I still have to finish). I wrote a bunch of picture books—some awful. Some didactic. Some pretty good. One of them came like a spark of inspiration. It became Just Like Rube Goldberg—which was published by Beach Lane Books with GORGEOUS illustrations by Robert Neubecker. The process of making that book taught me a lot. More than five things. But today, let’s talk about the top five things about writing picture books—even if you think you are a novel writer.
#1 Let’s start with the thing everyone talks about when they talk about picture books:
WORD COUNT!Here is what I learned right off the bat: Short word count is not a demotion. It is a challenge to get to the heart of the story. To embrace THE FORM.
A short word count helps create better pacing. (Don’t you hate it when you are ready to turn the page for a new illustration, but there are still more words to read???) Remember: picture books (like all books) are cinematic. But unlike novels, they are driven by and inhabited through the pictures. Although the words come first in the submission process, the words cannot interfere with the illustrations.
When I saw Robert’s illustrations taking shape, I deleted words.
Now when I work on my picture books, whether fiction or true stories, I try to make them as short as possible. Because words you don’t need are…well…words you don’t need.
#2YOU HAVE TO FEEL CONNECTED TO YOUR SUBJECT. Or in other words: you have to love what you are writing.Or in other words: your heart must be in your story.
Just like Rube Goldberg is all about Rube. But it is also all about ME. It’s about my ideas about creativity—that are embraced by Rube’s. Every second of the process was FUN. Even when I was frustrated with my own limitations, I was enjoying playing with the words.
If you are not having fun…If writing is not feeling like ice cream…If you are making decisions because of THE MARKET. Or BECAUSE SOMEONE TOLD YOU SOME RULE. Stop.
Start a new page.Find your heart in the process.(You will thank me later.)
#3Writing a true story? BACK MATTER MATTERS. Back matter isn’t just a chance to show off how much research I did. Back matter marks the spot where curiosity met process. (Not for nothing, editors like to see that you did your work.) TRUE STORY: when I was researching Rube, I actually found ANOTHER STORY. But mostly, thinking about back matter made me think more about my reader. There was a lot more I could have shared. I created back matter and a bibliography knowing that my readers would be curious, too. I want them to keep learning after they are done reading, since the book couldn’t be about everything. Note: I will be on a panel talking about this at NCTE. Come say hi!
#4 TAKE THE TIME TO MAKE THE DUMMY.See your story on the page.Draw bad drawings.Read your book and turn the page. My first Rube Dummy showed me where I needed to show more.The dummy I just made for my new secret project which I cannot announce yet (Shhhhhhhhhhhhh), showed me where I was overindulging and writing too many words that I did not need. When I cut those words, THE BOOK SOLD.
LAST and MOST IMPORTANT:
#5TRUST and CONFIDENCE are ESSENTIAL.
Just like any project, you have to trust yourself. You have to trust your reader friends.You have to trust your agent.You have to trust your editor. You have to trust your illustrator. It’s a lot of trust.And I will admit: I am bossy. I had ideas for Rube. BUT NONE were as good as this:
So that’s it.Five things.In less than 1000 words.
And, now, I guess it's my turn to put my words where my mouth is and offer up a brief excerpt for your feedback, inviting you to do the same in the comments!
If you've never participated in Friday Feedback, please first read THE RULES!!!
Here is a piece of a picture book WIP I am working on. I'm actually about to submit it.
It's called As Easy as 1 2 3.
Who is the most exhibited artist in the world? Would you believe Picasso?Or maybe Monet?Or how about Dan Robbins?
Never heard of him? Pull up a chair.
Dan Robbins worked at Detroit’s Palmer Paint Company in early 1950. His Boss, Max Klein, could see the writing on the wall. For the first time, Americans had the time, inclination, and money to take up new hobbies—including art.
He asked Dan to create a coloring book—to drum up sales of children’s paints.
But Dan had a better idea.
He knew that the great master, Leonardo da Vinci, taught his apprentices to create fine art by giving them numbered patterns.
Each number on the canvas corresponded to a unique pigment.
Like 1 for red.And 2 for yellow.
Dan figured if it worked for Leonardo, it could work for America, too.
---
So that's it! Looking forward to your comments and your excerpts!!!
Sarah (& Gae)
No comments have been added yet.
